The world has seen and will see countless adaptations of Shakespear's catalogue of timeless plays. From traditional Elizabethan style productions to futuristic, technological or physical theatre interpretations, I am in constant awe of the new ideas artists can extract from the texts. However, the solely auditory experience of Melbourne Shakespeare Company in collaboration with The Victorian Theatre Companies radio production of Hamlet offers something more fundamental than a new interpretation of the play. Like a warm hug, be it one engrossed by blood and tragedy, it is a return to the purity of Shakespeare’s poetry.
Set in medieval Denmark where the king has died, Hamlet Prince of Denmark is emphatic that his father has been murdered and shall, therefore, be revenged. A tale of paranoia, revenge and man's existence, Hamlet is considered by many to be Shakespeare's most powerful work. Being jam-packed with dark and atmospheric imagery also makes it perfect for a radio play.
Under the direction of Kurtis Lowden and featuring a robust fabric of Melbourne performers, the entire ensemble understand the clarity, nuance and pacing required for the medium they have chosen to work with and offer a commanding performance.
