While many Pantomimes close around New Year’s Day each year, the Theatre Royal Bath’s production usually runs until the following weekend and this year it’s Cinderella closes on the 9th of January. It’s a great time to visit Bath as the streets are quieter and you can appreciate the wonderful architecture of this lovely Georgian City and there can’t be a more wonderful setting for a traditional family pantomime than this beautiful venue. Jon Monie must love this place too as this is his 19th season in Pantomime here and with over 1000 performances behind him, he has the experience and knowledge on how to write and deliver a very well-judged and balanced show. It clearly was enjoyed by the schools’ parties at the matinee I attended but had plenty of cheeky innuendo for the adults to enjoy (with only a joke about Strange-ways Prison overstepping the mark).
His script, in the hands of Director Hannah Sharkey with a very good ensemble cast, is an excellent combination of traditional storytelling, a fresh injection of ideas into some of the standard pantomime business and music choices with new lyrics that flow from the story. The whole production is well-staged in another UK Production set design by Charlie Camm, Jon Harris and Jason Bishop with an attractive practical village scene, a very successful transformation scene from Kitchen to Coach and a clever touch when Cinders is hidden from Charming by the Ugly Sisters. This all adds up into an excellent showcase of the skills of the cast to entertain young and old.
He is well supported by two very fine Ugly Sisters with Nic Gibney as a West Country Harmony and Duncan Burt as Melody, pronounced “My-Lady”. They get the balance right of being unpleasant to Cinders while still having a cheeky charm and distinctive characters that bounce of each other while remaining two meters from commoners! They add a clever new twist to picking on a man in the audience with some good gags in the “Love Lottery” and a fun sketch of their beauty treatment in the sauna.
The best-known name in the show is Dani Harmer who despite being heavily pregnant is perfectly cast as the Fairy Godmother and speaks in a string of amusing rhyming couplets and keeps the storytelling on track. She oversees the smooth and elegant transformation of Cinders into Princess Crystalline and the pumpkin and mice into two ponies pulling the carriage. You wonder why Crystalline is the name but that becomes clear with the Songsheet of Neil Diamond’s “Sweet Crystalline” that gets a great response from the audience.
Review by Nick Wayne
Rating: ★★★★★
Seat: Stalls, Row M | Price of Ticket: £29.50