Brits on Broadway | Part 2

After the success of our first Article, 12 Brits Who are flying the Flag on Broadway, we thought we'd bring this one back and celebrate the Brits who are showing New York what they can do! It's so many peoples dream to play on Broadway and these actors are lucky enough to be doing that, so take a read and join us in celebrating these wonderful performers. 

Ruth Wilson

Originally from Surrey, Ruth has returned to Broadway to play Cordelia in King Lear. She made her Broadway debut in Nick Payne’s Constellations, opposite Jake Gyllenhaal. Film credits include The Little Stranger, Dark River, Suite Française, Saving Mr. Banks, The Lone Ranger, and Anna Karenina. Her London Theatre credits include Anna Christie & A Streetcar Named Desire (both at the Donmar Warehouse) and Hedda Gabler at the National Theatre. 

Ashley Andrews

A seasoned West End performer, Ashley is currently a Swing and assistant dance captain on King Kong. He most recently featured in the US transfer of Jesus Christ Superstar after being in the production in the UK, his other credits include An American in Paris, Wicked, Chicago, Billy Elliot, Jekyll and Hyde, Mack and Mabel. @ashleyjandrews 

Ralph Brown

Born in Cambridge, Ralph is currently playing Muldoon in The Ferryman. He is an actor and writer, his credits include Gemini Man, Final Score, Crying Game, Alien 3, Wayne’s World 2, Up’N’Under, I’ll Be There, Star Wars Phantom Menace, Jack The Giant Slayer, Contractor, I Anna and Tower Block. @Ralphwjbrown

FIRST LOOK: City of Angels at the Donmar Warehouse

Samantha Barks, Rosalie Craig and Hadley Fraser are Katherine Kelly, Tam Mutu, Peter Polycarpou and Rebecca Trehearn star in The Donmar Warehouse's production of City of Angels. 

They are joined by Nick Cavaliere, Cameron Cuffe, Marc Elliott, Adam Fogerty, Kadiff Kirwan, Sandra Marvin, Mark Penfold, Jennifer Saayeng, Jo Servi and Tim Walton.

Two decades after its London premiere, Artistic Director Josie Rourke revives one of the acknowledged greats of twentieth century musical theatre.

Hollywood comes calling for a New York novelist. The offer is too good to refuse: adapt the private detective protagonist of his books into a big-screen hero. The siren song of Los Angeles is a dangerous temptation and while his movie plays out in black and white, his new life is all-too colourful.