Olivier Awards 2013: Full List of Winners and Nominees

BEST ACTOR

WINNER: Luke Treadaway for The Curious Incident of the Dog in the Night-Time at the NT Cottesloe & the Apollo

Nominees:

James McAvoy for Macbeth at the Trafalgar Studios
Luke Treadaway for The Curious Incident of the Dog in the Night-Time at the NT Cottesloe & the Apollo
Mark Rylance for Twelfth Night at Shakespeare's Globe & the Apollo
Rafe Spall for Constellations at the Royal Court & the Duke of York's
Rupert Everett for The Judas Kiss at Hampstead & the Duke of York's

BEST ACTRESS

WINNER: Helen Mirren for The Audience at the Gielgud

Nominees:

Billie Piper for The Effect at the NT Cottesloe
Hattie Morahan for A Doll’s House at the Young Vic
Helen Mirren for The Audience at the Gielgud
Kristin Scott Thomas for Old Times at the Harold Pinter

Review of VIVA FOREVER post changes

*WARNING: If you haven't seen the show, be warned that there may be spoilers in this review. 

Viva Forever! opened in December at the Piccadilly Theatre and opened to negative reviews, everyone seemed to hate this production! I for one actually enjoyed the show when I saw it; I honestly thought it was fun. It’s not a National Production, so I have no idea what people are expecting when they go and see this show! Admittedly, it was far from perfect and it needed to be revised but it wasn’t as bad as people have said. People just seem to be going in with a bad attitude. 

For those of you that don't know (where have you been?!) the show has been adapted since opening, script re-writes have been made, songs have been cut/added in, scenes have been mixed up and the show as a whole as a hell of a lot better. It’s still a tacky, Friday night show that is purely a good time but it’s now a lot tighter than before. First things first, the fact that Viva is adopted isn’t such a huge thing anymore. It is brought up and tried to use as a story to get her in the newspapers when they go to Spain but it’s not a big deal and genuinely comes as a surprise to the audience. 

Once the Musical: Theatre Review

Based on the film of the same name, Once the musical has transferred over from Broadway to London’s West End. The original production opened off-Broadway in December 2011, closing the following month and transferring to the Bernard B. Jacobs Theatre in February 2012 on Broadway.  Winning multiple Tony Awards, it still remains to be a huge success over seas. Before opening at the Phoenix Theatre in the West End, Once made a stop in Dublin (where the show is set) proving majorly popular with audiences already  its future is certainly looking pretty good at the moment!  

The musical follows the story of how the lead male (named simply, Guy) is helped and inspired to take his music career further by Girl (Maybe the writer couldn’t think of names...). They get a band together and record some songs, fall in love but don’t do anything about it. Can’t believe how they spread that over two and a half hours? Neither can I. 

Olivier Awards: Full Short List of nominations

BEST ACTOR

James McAvoy for Macbeth at the Trafalgar Studios
Luke Treadaway for The Curious Incident of the Dog in the Night-Time at the NT Cottesloe & the Apollo
Mark Rylance for Twelfth Night at Shakespeare's Globe & the Apollo
Rafe Spall for Constellations at the Royal Court & the Duke of York's
Rupert Everett for The Judas Kiss at Hampstead & the Duke of York's

BEST ACTRESS
Billie Piper for The Effect at the NT Cottesloe
Hattie Morahan for A Doll’s House at the Young Vic
Helen Mirren for The Audience at the Gielgud
Kristin Scott Thomas for Old Times at the Harold Pinter

The Curious Incident of the Dog in the Night-time: Theatre Review

The Curious Incident of the Dog in the Night-Time. Bit of a mouth full isn’t it?! Based on the much loved novel by Mark Haddon, This recent National Theatre production had a majorly successful run at the Cottesloe. The production was also shown throughout cinemas worldwide in the National Theatre Live programme. The production has now transferred to the Apollo Theatre in London’s West End and has extended its initial run by 14 weeks, now finishing on the 31^st August.  
This touching story is about 15 year old Christopher who has Asperger Syndrome, one of his neighbours Dogs gets killed and he decides to become a detective and find out who did this, along the way he finds out things he wish he never knew and also finds his mother. Although Christopher has Asperger Syndrome it is never actually said in the play, I think it’s very important that as an audience you don’t watch the play knowing he has this otherwise it becomes an observing experience. The clever thing that Simon Stephens has clearly done in his adaptation of the production is to not make reference to it, as an audience you can clearly see this fact about Christopher but by this not being pointed out you can then freely go on the journey with the character and the experience of watching the play becomes an emotional experience and one that means you can really understand this fascinating boy.  

Burn The Floor: Theatre Review

Burn the Floor was originally conceived after a special performance for Elton John’s 50^th Birthday in 1997 and two years later the show made its world premiere in the UK in Bournemouth. Since then it has played in over 300 cities. The show played the Shaftesbury Theatre in 2010 between the closing of Hairspray and the opening of Flashdance and has now returned thirteen years after it originally opened in the UK to fill the theatre before ‘From Here to Eternity’ opens in October. 

The show is made up of a selection of all different dances, from Rumba to Jive and The Waltz to the Tango. This sassy production provides a range of beautifully executed dances that will make you want to join them up there. The energy that was oozing off that stage was tremendous. Although the show doesn’t have any sort of narrative as a whole it still is a fabulous showcase of the astounding dancing skills that were on that stage. 

Singin' in the Rain the Musical: Theatre Review

Based on the 1952 film of the same name, Singin’ in the Rain has been running at the beautiful Palace Theatre since February of last year. The musical has announced that it will close after a year and a half in the West End in August 2013 and will embark on a UK Tour and will return to its original home, The Chichester Festival Theatre, for a limited run. Everyone knows the classic Hollywood film starring Debbie Reynolds and Gene Kelly; it has to be one of the best musical films of all time. This production of the show does it justice! Following the story of silent Movie star, Don Lockwood, and how he, his best friend (Cosmo Brown) and his new girlfriend (Kathy Sheldon) must save this new ‘talkie’ movie so Lina Lamont doesn’t humiliate the studio. I’m not going to say anymore as I’m sure you’re familiar with the plot, but if you’re not then go checkout my review of the original cast by clicking here. Not going to lie, the story isn’t the most thrilling plot but it’s not meant to be; its light entertainment. Nacio Herrb Brown and Arthur Freed’s music and lyrics are beautiful; the full score oozes the classic Hollywood feel and is very pleasant to listen to.
Simon Higlett is the designer on the production, the set doesn’t really change throughout the whole show apart from minor changes but this really works, it’s a no fuss design that works in every location. Higlett has obviously taken into consideration every feature of the show and has catered it to work with them and it is faultless.

One Man, Two Guvnors: Theatre Review

One Man, Two Guvnors is a play by Richard Bean which made its debut at the National Theatre in 2011. Following this it toured the UK and transferred to the West End’s Adelphi Theatre and then later at the Royal Haymarket Theatre. Since then the production has opened on Broadway and has launched its second tour which will make international stops. 

The play is a classic slapstick comedy, following the story of Francis Henshall who has been employed by two men, Roscoe Crabbe and Stanley Stubbers. Roscoe Crabbe was meant to have been killed by his twin sisters fiancé but he suddenly comes back to claim Pauline Crocker as his wife. Roscoe is of course his Twin Sister, Rachel Crabbe, in disguise. She is doing this so she can get money off Pauline’s father so she and Stanley (who killed her brother) can go to Australia and hide away from the police. 

I don’t personally like slapstick comedy as I get bored of it after two minutes however this play really brought it into the twenty first century and made it right for a modern audience, integrating audience interaction with the comedy. Richard Bean really knows who to write a comedy, he carried the humour throughout the whole show and he did it really well. At no point did I think ‘this is dragging on’ or ‘ok, next scene please’. A very talented writer. 

Top Hat the Musical: Theatre Review

Fred Astaire and Ginger Rogers created the roles of Jerry Travers and Dale Tremont in the 1935 film of Top Hat, that one sentence would make anyone think ‘why hasn’t this been made into a musical sooner?!’. But in late 2011 the musical premiered at the Milton Keynes Theatre before embarking on a UK Tour and after that the show transferred to the Aldwych Theatre in London’s West End in April 2012. The show opened with Tom Chambers and Summer Strallen in the lead roles (With Charlotte Gooch taking over Strallen in November 2012) and since opening it has an almost entire new cast.
I've never seen the movie before nor do I know anything about the plot so going along to see this musical was pretty exciting for me. Jerry Travers (Gavin Lee) is a Broadway star and comes over to London to open a new show. Whilst there he stays with Horace Hardwick (Clive Hayward) who is producing the show, whilst in their hotel he awakes Dale Tremont (Kristen Beth Williams) who is staying below them and Jerry instantly falls in love with her, however she mistakes him for Horace who is her friend Madge’s new husband so she gets very disturbed when she realises this because they’ve basically fallen in love. They all go (separately) to Italy where Dale confronts Madge about this and after lots of tap dancing and plenty of scene changes the whole thing gets resolved.

We Will Rock You the Musical: Theatre Review

After almost 11 years after it originally opened, We Will Rock You is one of London’s longest running musicals to date. Receiving mostly bad reviews when it first opened back in 2002 it’s proved to be an audience favourite and still rocks the Dominion Theatre night after night. Over the years since its original premier its had loads of productions open all over the world; places include Australia, Japan, Las Vegas, Spain, Germany, Canada, Italy, Norway and plenty of other places with a 10^th Anniversary Arena Tour opening at the end of February. 

We Will Rock You follows the story of Scaramouche and Galileo who are outcasts in a world where clones are produced, music is made by computers and all the GaGa kids watch the same thing and learn the same moves. Meat and Brit (two ‘bohemians’) find Galileo and Scaramouche and take them to the heartbreak hotel but they get found out by Khashoggi who is the right hand man to the leader of the iPlanet, the Killer Queen. In the end they find an electric guitar and find real rock music and save the world. 

A Chorus Line the Musical: Theatre Review

Set on Broadway in 1975, A Chorus Line is a musical about dancers who are auditioning for a Broadway show. The original production opened off-Broadway in 1975 and transferred onto Broadway in the same year due to the production having a sell out run and the show also won 10 out of 12 Tony Award nominations. The show ran for 6,137 performances and closed in 1990. A West End production of the show opened in 1976, in the same year U.S and International tours started. Many international productions opened and a film adaptation was released in 1985. A Broadway revival opened in 2006 and closed after running for just under two years, this production recently transferred to the West End marking the shows first ever West End revival. The production is being dedicated to composer Marvin Hamlisch who died last year. 

The is set in an empty Broadway Theatre where an audition is to take place, it follows 17 veteran dancers who are looking for one last job before it’s too late for them to dance anymore. Marvin Hamlisch and Edward Kleban’s score has to be Broadway at its best; each and every song is catchy. When you walk out the theatre each person is humming a different tune! One thing they manage to do, along with the help of James Kirkwood and Nicholas Dante’s book, is create 17 characters that all get an individual story making the audience create a wonderful connection with every single cast member. This is truly an ensemble piece and I’m pretty sure there isn’t anything else out there like this. 

Cabaret the Musical: Theatre Review

 

The premier production of Cabaret opened on Broadway in 1966 with a US Tour and a West End production opening in 1968. The iconic film starring Liza Minnelli was released in 1972 after the success of the musical. After three West End revivals and two Broadway revivals the show returns to London, playing at the Savoy Theatre after a short UK tour. The musical is based on the play ‘I am a Camera’ which was adapted from the novel ‘Goodbye to Berlin’.
The story focuses on nightlife at the Kit Kat Club in World War II Germany following the relationship between English Cabaret performer Sally Bowles and American writer Cliff Bradshaw. This recent revival reunites the creative team from the 2006 London revival at the Lyric Theatre, however they’ve re-imagined the show and given it a new life but stuck to the original idea that they put together for their last production. Rufus Norris really understand this production and what he wants to give to the audience, he’s presented an intelligent but entertaining piece which presents the story in a way in which the audience are completely engaged and the links he has created between the Kit Kat Club and 1931 Germany is astonishing.

9 to 5 the Musical UK Tour: Theatre Review

9 to 5 the Musical is based on the 1980 film of the same name, starring Jane Fonda, Lily Tomlin and Dolly Parton. The film was adapted for stage, opening on Broadway in 2009. Parton, who wrote the title song of the original film, wrote the music and lyrics for the musical. The original production on Broadway closed after just 24 previews and 143 regular performances. However the musical didn’t just go away, it embarked on a US tour and last year came over to the UK and is currently touring the country. Set in the 1980s where the work place was a sexist place for women the show tells the story of three women Violet, Doralee and Judy who kidnap their horrible boss and give him a taste of his own medicine. They take over the office and show that just because you’re a women doesn’t mean you’re incapable of doing anything a man can do.

I must say that the score of this show is brilliant, for Dolly’s first musical she’s really done a fantastic job and really seems to understand each one of the characters plus getting the musical theatre style spot on, adding her own style to it too. She’s written a song for Judy which comes near the end of the show called Get Out and Stay Out, any person who likes musical theatre would know this song already but this has to be my favourite musical theatre song of all time. Patricia Resnick has written a great script, the thing I love about the show is that it’s a modernised version of the story (obviously still set in the 80s) but it still stays so true to the original essence of the film.

Loserville the Musical: Theatre Review

Loserville is a new musical written by James Bourne and Elliot Davis, the show previously played at the West Yorkshire Playhouse in Leeds and ran from the 18^thJune to 14^thJuly 2012. The musical then announced that it would transfer to the Garrick Theatre in London's West End, opening on the 1^stOctober. The show tells the story of 17 Year Old Michael Dork who is obsessed with computers. He and his friends are the losers of the school which is run by the 'popular kids', Eddie and his girlfriend Leia. Then a new girl comes to the school, Holly, who is also a geek. She starts working with Michael on his computer project and she gives Michael the credit he deserves whilst also falling in love with him. It's the classic 'High School Musical' and 'Glee' storyline, very cheesy. I honestly thought I'd hate this show, I added up everything I had heard, all the things I'd seen and the way it had been marketed in my head and that made me have my doubts about the show. However it impressed me!

Spamalot the Musical: Theatre Review

Spamalot is a musical comedy which has been “lovingly ripped off” from the 1975 film Monty Python and the Holy Grail. As much as it stays true to the Monty Python legacy it also is packed with jokes about musicals, TV and the music industry which means there is definitely something for everyone in this show. The original Broadway production opened in early 2005, closing four years later. The West End production opened in September 2006 in the Palace Theatre, this production closed only a week before the Broadway production closed (January 2009). A UK Tour was planned in 2009 but this was cancelled due to unforeseen circumstances however the tour went ahead the following year. The UK Tour finished mid 2012 and transferred back to the West End, playing at the Harold Pinter Theatre and later transferring to the Playhouse Theatre.Other productions have opened in Las Vegas, Australia, New Zealand, Germany, Hungary, Sweden, France and loads of other places!
The show follows King Arthur and his knights on their journey to find the Holy Grail. The show has been scaled down a lot from the original production, just one set with a few small changes. Even though Hugh Durrant’s designs are very ‘panto’, it still fits in with the context of the musical. So even though it’s got a very cheap feeling to it, it still works. The only thing that is sacrificed is the dramaticness of the Lady of the Lake entrance which was, if I’m honest, dreadful. Eric Idle has done a brilliant job with the Book, Lyrics and Music (music with John Du Prez), they’re genius! It is truly a Musical Comedy, possibly one of the funniest musicals ever to be written.

Sister Act the Musical UK Tour: Theatre Review

Sister Act the Musical first premiered at the Pasadena Playhouse in California in late 2006 and moved to the Alliance Theatre in Atlanta, Georgia in early 2007. The production was labelled as Broadway success from this first production. It transferred to the West End in mid 2009 and closed in October 2010 and was replaced by The Wizard of Oz, the Broadway production opened in April 2011 and closed in late August 2012.Other productions are planned for Stuttgart, The Netherlands, Paris, Australia, Mexico, Spain and many more.
The first UK Tour of the show opened at the Manchester Opera House in September 2011 and tours until October 2012. The story follows Deloris Van Carter, she auditions for a nightclub when she witnesses a murder and has to be put away in hiding. She gets put in a Nunnery where she is appointed the leader of the choir, this is something she begins to feel passionate about and she grows closer to her fellow Sisters. Based on the 1992 film, which itself just screams “Make me into a musical!!!” The show undertook a lot of changes when it moved to Broadway and these are included in this touring production, the show felt and looked like a touring production however this didn’t take away from the enjoyment and quality of the piece.

Cynthia Erivo | Interview

Cynthia Erivo trained at RADA and she is currently playing the role of Deloris Van Carter in the UK Tour of the West End hit, Sister Act. Before that she played Madeleine in the Umbrellas of Cherbourg at the Gielgud Theatre. Her other credits include Ellie Jackson in Marine Parade, Leila in I was Looking at the Ceiling and then I saw the Sky and Constance in The Three Musketeers and the Princess of Spain. Cynthia also was a support act for American Idol winner Fantasia Burrino and was nominated for a BEFFTA for best female act 2010. I caught up with Cynthia on her busy tour schedule to talk about her...

How and when did you realise you wanted to perform?
As cliché as it sounds, I knew I was going to be a performer when I was five, it's actually one of my clearest memories..... I was asked to sing silent night on my own in the nativity play that year, and I remember that after I ?nished singing there was applause, I remember loving how it felt to hear that and see people happy..... I was hooked.

Were your family and friends supportive about your career decision?
They always have they always will be, they've been with me every step of the way.

Jumpy: Theatre Review

Jumpy, Written by April De Angelis, opened at the Jerwood Theatre Downstairs at the Royal Court in late 2011 with the production recently transferring to the West End, opening on the 16^thAugust at the Duke of York's Theatre. The story follows Hilary who is a working mum who has settled with her family in London, within the play she faces a divorce from her husband and a rocky relationship with her 15 year old daughter. The storyline made me feel like it was going to be like a soap on stage, it was far from it. April De Angelis writing in this play is fantastic, she's got a serious drama that everyone can watch and relate to but has made it into a comedy. Whilst watching it I could see a lot of myself, my family and most likely every other family in the country portrayed in this play! Very much the same sort of humour as the BBC series 'My Family'.
It is filled with laughs all throughout, however it has a very serious tone; it speaks out to anyone who's struggled at any point in their life.

Jersey Boys the Musical: Theatre Review

Before making it over the West End, Jersey Boys was already a hit over in the States. The Broadway production opened in 2005 and is now the 19^thlongest running Broadway show. The show started its first National Tour at the end of 2006 and after this, productions opened in Chicago, Las Vegas, Australia and New Zealand.
The West End production opened in 2008 at the Prince Edward Theatre where it is still playing. The show features songs from the Four Seasons and Frankie Valli to tell the story of their journey to stardom; you see how the group was formed, their rise in fame and eventually their breakup.
The show has been divided up cleverly into 'four seasons' in which each member of the group narrates each section.
The production is directed by Des NcAnuff who seems to really understand how to stage a production, he really worked with this show well and his direction really complemented the story, as did Sergio Trujillo's choreography.
The scenic design was interesting, at first I thought it looked a bit pants but the lights, screens and other small pieces of scenery made each location different and in the end it really worked, Klara Zieglerova did a great job. Very Clever.
Jess Goldstein did a perfect job on the costume design, everything seemed spot on and I kind of wanted to take some of the outfit's home!

Andrew Wright | Interview

Andrew Wright has become one of the West End's favourite choreographers recently, with productions that have astounded the public. His choreographer credits include Singin' In The Rain (Palace Theatre and Chichester Festival Theatre), 42nd Street (Chichester Festival Theatre and The Curve, Leicester), Wonderful Town(National Tour), The Showgirl Within(Garrick Theatre), Once Upon A Time At The Adelphi(Liverpool Playhouse, Union Theatre and Trafalgar Studios) ,By Jeeves(Landor Theatre) and many many more! His performance credits include Scrooge(London Palladium), Mary Poppins (Prince Edward), Anything Goes (Drury Lane), Cats (New London), Disney's Beauty and the Beast (Dominion and National Tour), A Chorus Line (Derby Playhouse and National Tour) and many more! His list of credits are endless, a career that anyone would be very jealous of! He was also nominated for an Olivier Award in early 2012 for Singin' in the Rain. Taking time out of very busy life, Andrew had the time to answer a few questions!

How did you first get into Dance?I went to a local dance school in Somerset and also danced at my main school, Millfield. However I didn't start to professionally train until the age of 17 at Arts Ed, London.

Is there any advice you'd give to any aspiring dancers out there?That there is no short cut to success. Put the hours of training in. The more skills you have to offer the better your chance of employment is.