COMING HOME: Carl Man, featuring in Wicked at the Apollo Victoria Theatre

Pocket Size Theatre and Liza Heinrichs (Captured by Liz) have teamed up again and created our new series 'Coming Home'. In this new piece, we look at the reopening of Theatres in London and around the country and celebrate our industry coming back. We got together some performers who will be some of the first to return to theatres and created this piece to bring some positivity to the theatre industry which has been through one of the toughest years in our lifetime. Whilst it is important to acknowledge the hardships we've all gone through, it's important we pull together as a community and celebrate our beloved industry finally coming back!

The last time we saw Carl Man in a West End musical was just before the theatres all around the country were forced to shut down due to the pandemic. He was appearing in the global sensation WICKED. The show has been running in London for almost 15 years and continues to play to huge audiences who absolutely love the show. 

Carl appears in the ensemble of the show and also understudies the role of Fiyero, making him the first Asian actor to play the role in the show's history. His other credits include Jacob in Tiger Bay at the Wales Millennium Centre, Nintendo in Starlight Express at the Other Palace, understudying the role of Galileo in the RCCL production of We Will Rock You, Alternate ‘Aladdin’ in Disney’s Aladdin in the US and ensemble in The Who’s Tommy, also in the US. 

Since his pause in Wicked, he has gone on to appear as Rory in Proud at the Turbine Theatre and was in the line up of Roles We’ll Never Play at the Vaudeville Theatre, Pride at the Palace, West End Musical Drive-In and Kings of Broadway at the Palace Theatre. 

COMING HOME: Chiarina Woodall, soon to be back in Wicked at the Apollo Victoria Theatre

Pocket Size Theatre and Liza Heinrichs (Captured by Liz) have teamed up again and created our new series 'Coming Home'. In this new piece, we look at the reopening of Theatres in London and around the country and celebrate our industry coming back. We got together some performers who will be some of the first to return to theatres and created this piece to bring some positivity to the theatre industry which has been through one of the toughest years in our lifetime. Whilst it is important to acknowledge the hardships we've all gone through, it's important we pull together as a community and celebrate our beloved industry finally coming back! 

The smash-hit of this century is undoubtedly Wicked. The untold story of Oz follows the back story of the witches of OZ and is filled with tunes you will be belting out in the shower. If you’ve not already seen this show, where have you been?! Celebrating 15 years in London’s West End this autumn and 18 years on Broadway, the show has seen many international productions including numerous UK tours. A story that everyone connects to and with music by Stephen Schwartz, this show is a musical theatre staple and the West End just wouldn’t be the same without that green witch. 

A dream show for many, Chiarina Woodall appears in the ensemble of the show and was before theatres shut back in March 2020. She is returning to the show when it reopens on the 15th September 2021, almost 18 months after she last appeared in the show. She tells us she cannot wait to get back and perform the show to an audience once again, “Wicked is an incredible show, something I've always wanted to do. Being able to entertain and inspire people is so rewarding for me.” 

COMING HOME: Laura Pick, soon to return to the role of Elphaba in Wicked at the Apollo Victoria Theatre

Pocket Size Theatre and Liza Heinrichs (Captured by Liz) have teamed up again and created our new series 'Coming Home'. In this new piece, we look at the reopening of Theatres in London and around the country and celebrate our industry coming back. We got together some performers who will be some of the first to return to theatres and created this piece to bring some positivity to the theatre industry which has been through one of the toughest years in our lifetime. Whilst it is important to acknowledge the hardships we've all gone through, it's important we pull together as a community and celebrate our beloved industry finally coming back! 

Wicked is one of the biggest musical theatre hits of the 21st century so far. With productions all over the world, an 18 year run on Broadway plus almost 15 years in the West End, it’s safe to say Wicked is a modern musical theatre staple. The lead roles of Glinda and Elphaba have made stars of those who have played them. Some of the wonderful ladies to have played these roles here in the UK are now some of the top musical theatre performers we have; Kerry Ellis, Rachel Tucker, Alice Fearn, Louise Dearman, Diane Pilkington & Gina Beck to name just a few - Laura Pick is now following in their footsteps. 

Laura started in the show as the standby to Elphaba. She covered Alice Fearn (now starring in the London production of Come From Away) and Nikki Bentley (soon to be starring in Joseph at the Glastonbury Abbey) before taking over as the principal role at the beginning of 2020. After a short run as the full-time lead, her new Elphaba journey was cut short due to the theatres closing. Laura will be returning to play the most famous green girl in London when it reopens on the 15th of September 2021. A year and a half after having last played the role, Laura says she cannot wait to be reunited with the cast, telling us how much she is looking forward to sharing this show with audiences once again; “I can’t wait to be able to tell this beautiful story again, it continues to be relevant and I want to connect with the wonderful audiences that we always get at the Apollo Victoria.” 

INTERVIEW: Bradley Jaden, currently playing Fiyero in WICKED at the Apollo Victoria Theatre

Bradley is currently playing Fiyero in the London production of WICKED after having played the role in the international tour of the show earlier this year. His other credits include ‘Enjolras’ in Les Misérables (Queen’s and 30th Anniversary cast), ‘Freddie’ in My Fair Lady 60th Anniversary Celebration (St Paul’s Actors Church), Ghost the Musical (No 1 UK Tour) and Shrek The Musical (Theatre Royal, Drury Lane). He took time out his busy 8 show week schedule and health regime to give us an insight to his life in the smash hit musical. 

You’ve transferred into the London production of Wicked after playing Fiyero in the UK and International tour. What happened when you got the offer to come into town with the show? 

It was a bit of a dream really because when I agreed to do the international tour it wasn’t finishing until January 2018 so to have the opportunity to audition for the town production was out of mind and wasn’t even on my radar, and Oliver Saville was doing such a wonderful job, I don’t think they wanted to lose him so I didn’t even think it was on the cards! So, when I found out there was a chance I could audition for it, of course I wanted to jump on it. 

So you had to go back through the audition process again?

Of course, anything can happen over a year: you can become lazy and complacent and the creative team didn’t want that to then transpire from tour to town and they want to make sure they’re getting the best and if there’s someone else out there that can do it much better than you, I don’t think just because you’ve played the role somewhere doesn’t mean it’s a given you can play it somewhere else. 

Looking back on your time in the show, how has you Fiyero changed? 

I think it changes every night, I’m so pleased I get to work with some incredible actors in the ensemble and the two witches. The girls I had on tour were absolutely incredible but different to the ones who are equally incredible in town. The character relationships have changed and even little things like the set, because it was a touring set, so slightly different little actions and movements can make such an impact on a scene so it has completely changed. I think I’ve got a little more confident in the old dance moves, 'Dancing Through Life' still to this day scares the life out of me. Hopefully we're trying every night to change it and not keep it stale but it definitely has developed from our opening night in Bradford. 

INTERVIEW: Alice Fearn, currently starring as Elphaba in WICKED at the Apollo Victoria Theatre

Alice is currently playing the lead role of Elphaba in the London production of WICKED, after having previously been the standby for the role. The Woman in White (Palace), Les Misérables (Queen’s), Annie Get Your Gun (Young Vic); ‘Rapunzel’ in Into the Woods (Regent’s Park), ‘Gingy’ in Shrek The Musical (Theatre Royal, Drury Lane), ‘Renee’ in Dirty Rotten Scoundrels (Savoy) and ‘Nancy’ in Oliver! (Watermill Theatre, Newbury). She took time out of her greenifying to have a little chat with us.

You were previously the Standby for Elphaba in the London production of Wicked, when did you find out you’d be taking over as the lead?

Well I’d been auditioning for quite a few years for the show, when I’d be able or free to do so I’d be auditioning for it. Weirdly actually, this last time I auditioned, when I got the standby, I said that was my last time I was doing it. I think that might have been my fifth time auditioning, I remember calling my mum and saying “this is the last time now, I can’t be put through the wringer if I’m not going to get this.” I thought this was my last time and if I get it great, if I don’t then I can move on. And thankfully I got it, then obviously a year later I got the upgrade to play the lead full time. I think I was in the kitchen with my fiancée, Gavin, who was cooking lunch and my agent called me and I knew it would be about this because I’d auditioned to play the lead again so when I was the standby I had to go back and do all the stuff again so I knew I was waiting for a phone call with a yes or a no. My agent had me on loud speaker so I did think it was something quite important because the whole office could hear, and he said I got the job and I was so shocked and surprised I think I threw the phone across the room towards Gavin and he was saying “What?! What?!” and I just said they’ve given me the part. And immediately we got a bottle of champagne out of the fridge and started pouring it because it was something I wanted for so long. So, it was a pretty good day that day!

REVIEW: Wicked the Musical at the Apollo Victoria Theatre

It is not often you find someone unfamiliar with the story of Wicked, but as I took my seat in the middle of the stalls in Row H, I was greeted by a lovely couple who had travelled down from Durham to see the show. They told me their daughter lived locally to the Apollo Victoria Theatre and had insisted that while they were visiting her, 'Wicked' was the show to see, but they had no idea what they were in for. "Is this a musical or a play?" they asked... I proceeded to tell them this was not my first visit to the musical, and that I had previously seen Emma Hatton (Elphaba) when she was stand-by for the role back in April 2014, and that even when she was so new to the show, she blew me away. I assured them they were in for a real treat, and I was absolutely right. 

Wicked: New Cast Pictures Released

Wicked the musical, who have just celebrated their 3000th performance, changes cast tonight. The new cast includes Willemijn Verkaik (Elphaba), Savannah Stevenson (Glinda), Jeremy Taylor (Fiyero), Sue Kelvin (Madame Morrible), Sam Kelly (The Wizard), Paul Clarkson (Doctor Dillamond); Sam Lupton (Boq), Katie Rowley Jones (Nessarose), Emma Hatton (Standby Elphaba), Sophie Linder-Lee (Standby Glinda), Florence Andrews, Kyle Anthony, William Bozier, Oliver Brenin, Lauren Brooke, Philippa Buxton, Philip Catchpole, Aisling Duffy, Samuel Edwards, Kerry Enright, Michelle Francis, Jacqueline Hughes, Melissa Jacques, Marc McBride, Stacey McGuire, Natalie McQueen, Greg Miller Burns, Tom Muggeridge, Rachel Muldoon, Sean Parkins, Charlie Stemp, Lauren Stroud, Lindsay Taylor,Justin Thomas, Hannah Toy, Matt Turner, Russell Walker and Jenny Wickham.

Alexia Khadime | Interview

Alexia Khadime is currently playing Eponine in Les Miserable at the Queens Theatre. Alexia's West End debut was in The Lion King where she appeared in the Ensemble and covered the role of Nala which she later returned to the show to play full time after her time playing Candy in the UK Tour of Whistle Down the Wind. She played the role of Nala for four years until she left the show in 2008. From June to November in 2008 she took over the role of Elphaba in Wicked while Kerry Ellis went over to Broadway to play the role, she later returned to the role in May 2009 and was succeeded by Rachel Tucker in 2010. After Wicked she was in Welcome to the Thebes at the Royal National Theatre and played Deb in Ordinary Days at Trafalgar Studios. Her TV credits include Grange Hill, The Bill, The Queens Nose and Comin' Atcha. She can be heard on Act One - Songs From The Musicals Of Alexander S. Bermange, her own single 'Ring' and the Amazing Grace and Pride film soundtracks. She was very kind to fit us in with her very busy schedule and to talk about her wonderful career...

Your career ranges from a wide variety of things, you must be very proud of all the things you've done in the past! Are there any special memories you have collected from these that stick out from the rest?

They are all just so different. What I like is they individually have helped me to grow as a performer so they all stick out for me. Something's have been bigger than other but hey all just really count a lot.

From doing TV and theatre you are obviously very familiar with the similarities and differences, what are your favourite and least favourite things about both?I like with theatre you get one chance and you can't say CUT. Least favourite thing is not getting to see family very much as we have 1 day off a week. TV is exciting because it's always changing like new lines etc, so you're always growing. Least favourite thing is the days can be very very very long and sometimes there lots of waiting around. I remember having call time at 6am and not finishing till really late!

Wicked the Musical: Theatre Review

Wicked the Musical has recently celebrated its fifth birthday in the West End, the show has proven very popular with musical theatre fans as they continue to sustain a very strong fan base who remain dedicated to the show and support it constantly. I have reviewed this show twice before, but I recently saw the show with the new cast. A lot of the cast have left the show since I last saw it, so I wasinterested to be invited back to check them out.

Rachel Tucker has remained with the production since coming into the company in March 2010; ever since she first started she has just got better and better. She is as strong as she has ever been. What I love about Tucker's interpretation of Elphaba is that she understands the role, a lot of the portrayals I have seen have been based around the singing aspect of the role and the actress's I've seen don't have that much depth in their Elphaba, where as Rachel's does. Her rendition of Defying Gravity and No Good Deed was the best I have ever heard; her voice fills the theatre and is delightful while having an edge to it which gives you shivers down your spine. Her chemistry with Gina Beck (Glinda) was also wonderful; they have had some time to settle in since they have started and their characters definitely work amazingly together and have a certain connection which hasn't been portrayed like that before.

Gina Beck plays a fresh Glinda, her voice is pure and a wonder to the ears. Glinda's comedic parts in the show were done incredibly by her and she picked up on everything, in my opinion she is the only Glinda in the London production that has actually paid attention to who Glinda actually is, rather than focus on what happens to her on her journey in the show. She had a great presence as Glinda and her journey through the show also really contributed to her interpretation of the role.

Wicked the Musical: Theatre Review

Wicked the musical opened on Broadway in 2003 with productions in Los Angeles, Japan, Chicago, Germany and Australia.
The London production opened in 2006 with Original Broadway cast member, Idina Menzel. The story follows Glinda the Good and The Wicked Witch of the West (Elphaba) before Dorothy arrived in Oz. The musical comes from Gregory Maguire, the story explains why everything is the way it is in the land of Oz. It explains why Glinda is good, why the Witch is wicked, why the scarecrow has no brain, why the Lion is cowardly, why the tin man has no heart and everything thinkable in The Wizard of Oz is included in Wicked.
I recently made a trip back to the Apollo Victoria Theatre to see the show again, the show has everything that a musical should have, and it's universal. The balance between the humour and the emotional sides of the show are brilliant, it's a show that includes every emotion. It also has appeal to everyone, for children this show would be a fantastic spectacle and for adults it's an interesting insight to their favourite childhood story. I recently saw the show on September 24^thand it was one of the best performances I've seen from the Wicked Company. This is because we have a few understudies on, two of which it was only their third show on.

Wicked the Musical: Theatre Review

Wicked the Musical opened on Broadway in 2003 and since then has opened productions in Chicago, Los Angeles, Australia, Germany, Japan and London. The London production opened in 2006 and has been going strong ever since. The show has been through multiple cast changes and I recently went to see it on 22^ndApril 2011.

The show takes place before Dorothy arrived in Oz, following the story of the Wicked Witch of the West (Elphaba) and Glinda. It's about the relationship that the girls share with a love triangle, a controversy with the Wizard and the story of the Wicked Witch of The East. The show also explains why the Tin Man has no Heart, why the lion is cowardly and why the scarecrow has no brain.Its providing something that everyone can relate to, it reaches out to almost every audience member which is a very rare thing to find in a Musical.

The design team on this show are a dream; Eugene Lee's set is incredible to look at and fits perfectly into the show, as does Susan Hilferty's delightful and imaginative costumes. Stephen Schwartz's score is incredible. The stunning 11 O'clock numbers are to spare in this show; Defying Gravity, No Good Deed and Thank Goodness are the musical and emotional highlights in the show, each one expressing amazing emotion from the characters.