The Watermill has led the way with its short season of outdoor theatre in its delightful grounds. Following its tongue in cheek version of The Hound of the Baskerville, the artistic director, Paul Hart has directed a concert version of the 1960 musical Camelot by Lerner and Loewe with his usual trademark actor-musician casting. It is a simple but charmingly effective staging that showcases the fabulous score.
I am predisposed to enjoy the evening partly because of the warm welcome and consistently high standards the Watermill productions deliver but mainly as the show brings back strong memories of the 1982 production of Camelot with Richard Harris as Arthur and Fiona Fullerton as Guinevere at the Apollo Victoria, which remains one of my all-time favourite musical productions. Harris's powerful charismatic stage presence made up for his lack of singing voice and he rang every emotional response from his final rallying call to young Tom to carry the legend of the knights of the round table home.
