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Monday 26 June 2023

REVIEW: Frank and Percy at the Theatre Royal Windsor


Sir Ian McKellen and Roger Allam have established themselves as two national treasures of theatrical performances across the spectrum from Pantomime together, to classic theatre like King Lear and Uncle Vanya, to film and TV like Lord of the Rings and Endeavour and have long proven they have stage presence and acting skills to enthral an audience. It is therefore inspired casting to bring them together for a short summer season at the Theatre Royals of Windsor and Bath. Frank and Percy, a new play by Ben Weatherill, is a gentle meander through twenty-two short scenes showing their relationship evolve from a first chance meeting on the Heath as they walk their respective dogs, Toffee and Bruno (who sadly we never see).

They are playing their age, two elderly single men alone after the end of their previous long-term relationships. Frank (Allam) is a retired history teacher who has lost his wife and Percy (McKellen) is a former Professor of sociology who is about to publish a new book about climate change, has split from his long-term boyfriend but has a daughter in Australia. Percy is openly gay; Frank is persuaded to declare himself as bisexual but still sees Percy as “a bit of an arsehole”. The best line in the whole play is when Frank strokes his own head and declares with delightful pride “My hair is far too precious to me”. 
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Thursday 22 July 2021

REVIEW: Hamlet at the Theatre Royal Windsor


Sir Ian McKellen has rightly been acclaimed as the greatest living British stage actor with an unenviable track record of success and compelling performances. We have watched him many times over the years from the ground-breaking Bent in 1979 and sat on stage in the Olivier for his Coriolanus in 1984 through more recently to his utterly enthralling King Lear at the Duke of York and his extraordinary one-man show On Stage that toured the country. There can be no doubting his love of performance, his energy, and his desire to entertain and move audiences. So, it was with a great deal of anticipation that we booked to see him return to Hamlet at the Theatre Royal Windsor on 'Freedom day', 19th July 2021.

Having been to several socially distanced indoor and outdoor shows over the last twelve months and enjoyed the extra space and reassurance of anti-Covid measures within the venues it came as something of an unpleasant shock to experience queuing to enter the venue for bag searches, queuing to have the tickets checked in the confined foyer space and a very full house (including an audience packed on the stage close to the performers) squeezed into the tight legroom of the Royal Stalls. And of course, that forgotten memory of those in the middle of the row being last to leave the bar before each act. Add to that the sweltering heat of the evening and one can’t help thinking we have the perfect condition for Jonathan Van Tam’s three C’s for Covid transmission. It was an added distraction to our enjoyment of the show, and one has to open that this production particularly with its 82-year-old star avoid the risk of closure that so many West End shows are suffering.
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