REVIEW: The King and I at the New Victoria Theatre, Woking

After their hugely successful run on Broadway at the Vivian Beaumont Theatre and at the London Palladium in the West End, The King and I is back in all its glory to showcase Rodgers and Hammerstein’s beloved musical in its finest hour. Directed by Tony Award winner Bartlett Sher, this hugely popular classic from the golden age of musical theatre dazzles and astonishes in every way. 

The King and I is a tale of love in so many forms; for children, for lovers, for those lost and for those who puzzle us most. Despite being written over 70 years ago, these themes remain as timeless as ever. There is also such an empowering discussion of women and females, and their roles in a ‘modern’ society. Anna, a British Schoolteacher, is brought to Siam to educate The King’s children. All 67 of them. The King is spoiled and controlling but begins to soften the more he heeds Anna’s lessons. As their relationship blossoms, their enmity melts away to be replaced by a mutual respect that each rightfully deserves.

REVIEW: The King and I at the Wycombe Swan Theatre

Bartlett Sher’s magnificent revival of Rogers and Hammerstein’s wonderful 1951 musical was first produced for the Lincoln Centre in New York in 2015 before being remounted at the London Palladium and released to cinemas in 2018. The production has been recast and remounted for an extensive UK tour which began in January 2023 in Canterbury and currently continues until November in Norwich and last week visited the Swan in High Wycombe for a sell-out week. It is well worth catching with its beautiful score, simple slick staging and appropriately diverse cast lead by Helen George as Anna and Darren Lee as the King.

Helen George is best known for her role in Call the Midwife but fully inhabits the role of the Governess arriving in Siam with her young son Louis and standing up to and winning over the dictatorial King. She handles the huge crinoline dresses with aplomb and delivers her songs with great passion and a good voice. She may not have the stage presence of Kellie O’Hara who played the role in New York and London, but she gives full range to the emotions from anger to caring and growing respect for the King and makes a very good and convincing Anna. We feel her nerves in “Whistle a happy tune”, her sorrow and hope in “Hello young lovers” and her joy in “Getting to know you”.

Outside the Spotlight: Recreating first steps with Joaquin Pedro Valdes | Captured by Liz

Outside the Spotlight is brought to you by Captured by Liz in partnership with Pocket Size Theatre, this series of articles is sponsored by Pointe & Flex, a stylish and motivational stationery brand created for dancers, dance teachers and everything in between! From diaries to notebooks, pens to pencils, planners to action lists, Pointe & Flex are here to make sure you stay on top of everything so you can thrive in your industry. Click here to find out more.

We’re going back in time, as we take Joaquin’s first steps in London again. Up until theatres closed, he was part of the UK and International tour cast of The King and I in the ensemble, and first cover Lun Tha. In 2018, he joined the UK tour cast of Miss Saigon, covering the roles of The Engineer and Thuy - the job that brought him to the UK. He joined the tour in Manchester, and continued to travel around the country. 

“Getting that call from my agent was really a dream come true. In the Philippines, theatre is limited. There are productions happening, of course, but the West End and Broadway is just a different level.” Joaquin and his wife moved to the UK together, and in fact toured together. “It was amazing to be able to experience all these cities together. It brought us to places we never thought we’d go to!”

20 Production shots that describe the struggles of being in a Musical | Part 2

Following our overwhelming response to our article last year, we have decided to bring this back! Production Pictures that describe the struggles of being in a musical smashed all of our records last year and we had such fun creating it, so here's another one! We hope you all like it as much as last year and enjoy it as much as we enjoyed making it. 

Please note, this article is merely light-hearted entertainment. We respect and adore all the performers and shows involved in this and hope that it is viewed in the same way. 

London Palladium's THE KING AND I to open at the Sunderland Empire & Opera House Manchester

Direct from its record-breaking sold-out season at The London Palladium, The King and I, the greatest musical from the golden age of musicals, is coming to Sunderland Empire, and Opera House Manchester.

Set in 1860s Bangkok, the musical tells the story of the unconventional and tempestuous relationship that develops between the King of Siam and Anna, a British schoolteacher whom the modernist King, in an imperialistic world, brings to Siam to teach his many wives and children.

With one of the finest scores ever written including Whistle a Happy Tune, Getting to Know You and Shall We Dance, over 50 world-class performers AND full-scale orchestra. This is a celebration of the lavish heritage of the very best in romantic musical theatre from an unparalleled multi award-winning creative team. This is a once in a lifetime opportunity to witness this glorious production.

REVIEW: The King and I at the London Palladium

Opening in 2015, this revival of the Rogers and Hammerstein's 1951 musical was a hit on Broadway. It won four Tony Awards; including Best Revival of a Musical, Best Leading Actress, Best Featured Actress and Best Costume Design. This production comes over to London where is plays at the historic London Palladium. 

Personally I am not a huge fan of Rogers and Hammerstein's work, I find a lot of their work to be dated and not relevant. But this show proved me wrong, it was as relevant as ever with the references to building walls around the country and trying to westernise the culture. It actually was quite shocking to see how our modern political struggles are represented through this period piece written over 60 years ago. 

Through Bartlett Sher and Christopher Gattelli’s visions, this production of The King and I is a true thing of beauty. Its tight and fresh but still has that classical feel to it that we a crave when seeing a Rogers and Hammerstein piece. 

The sets by Michael Yeargan are actually quite simple, of course there is a lavishness to them but in the bases of the design its simplistic and not busy which is just perfect for this piece and it is framed wonderfully by Catherine Zuber’s stunning costume design.

Pocket Size Picks: 12 Shows to look forward to in 2018!

Little Shop of Horrors at Regent's Park, Open Air Theatre

From 3rd August to 15th September 

Chess at the London Coliseum 

From 26th April to 2nd June 

Tickets from £18!