COMING HOME: Joaquin Pedro Valdes, about to open in Heathers at the Theatre Royal Haymarket

Pocket Size Theatre and Liza Heinrichs (Captured by Liz) have teamed up again and created our new series 'Coming Home'. In this new piece, we look at the reopening of Theatres in London and around the country and celebrate our industry coming back. We got together some performers who will be some of the first to return to theatres and created this piece to bring some positivity to the theatre industry which has been through one of the toughest years in our lifetime. Whilst it is important to acknowledge the hardships we've all gone through, it's important we pull together as a community and celebrate our beloved industry finally coming back! 

Theatres were some of the first things to completely shut down when the pandemic hit. After the news of Broadway closing, it wasn’t long before the West End and theatres up and down the country followed suit. Joaquin Pedro Valdes was appearing in the UK and International touring production of The King and I. The show had previously had a hugely successful run in America and had subsequently transferred to the London Palladium with this tour following. However, due to the pandemic, the production was shut down in March 2020. 

Joaquin was appearing in the ensemble of the show and was also covering Lun Tha and the Kralahome. After this amazing show being shut down, Joaquin was actually one of the first people to be employed again in a fully staged theatre production, as he appeared in ‘Fanny and Stella’ at the Garden Theatre in the summer of 2020. This was the first stage show to be fully mounted since the pandemic hit. The theatre continued with this success and opened productions of Pippin, Next Thing You Know and Naked Boys Singing, to name just a few! 

10 Most Popular Reviews of 2020

What a difficult year for us theatre people, ey? I shan't go into the details of how hard its been for all of us, I think that's pretty clear! But we did manage to get to see SOME theatre, both in-person and online! Here at Pocket Size Theatre, we pulled together our 10 most popular reviews from this past year! Take a look and remember some of the productions that have happened this year, we've had a great time looking back! 

The Pirate Queen at the London Coliseum ★★★★★

"The score is stunning, Tucker’s vocals stole the show whilst she was supported by a fiercely strong cast... Julian Kelly directed the 11-part orchestra to an exceptional standard, deservingly taking centre stage throughout the performance. Every element of the production was of the highest quality, pulling out all the stops to create an outstanding piece of theatre."

REVIEW: Fanny and Stella at The Garden Theatre at The Eagle

This is my first trip to the theatre since everything shut down in March and what a pleasant experience it was. My first time visiting the Eagle in Vauxhall and I was greeted with politeness and exceptional hospitality by the staff. They are doing everything they can to create a space that is safe but still enjoyable and comfortable for all. The show itself is socially distanced both in the audience and onstage, with a few subtle jokes in the piece addressing it! But to tell you the truth, you wouldn’t even notice. Which is a huge credit to the creators. 

The setting is the beer garden of the pub and whilst this may seem a little weird, its dressed like the best outdoor fringe venue you’ll ever experience. As far as I’m aware, an outdoor venue like this has never been done and this is a prime example of how to do to it well and I hope this opens doors for the future as to what we could possibly see in times to come on the fringe scene. 

Fanny and Stella tells the story of Ernest Boulton and Frederick William Park, they were two young men who, in 1871, were put on trial in London for dressing as women. A new piece by Glenn Chandler and Charles Miller, brought to the stage by Peter Bull for LAMBCO productions and directed by Steven Dexter, this classic Victorian-Vaudeville style musical is truly wonderful and Dexter has done a brilliant job at transforming this pub beer garden into a pretty fringe theatre. With musical staging by Nick Winston, his work is almost like the sprinkles on top of the cake. It adds flair and campness that this piece thrives on.