REVIEW: Medea at the Soho Place

‘Hell hath no fury as a woman scorned’. We know the saying, but do we know the extent that these ‘scorned’ women will go to exact their revenge? In the instance of Medea (Sophie Okenedo), she’ll undertake the ultimate path to revenge in Robinson Jeffers’ adaptation of the shocking original tale from Euripides. 

Its premise is simple enough, Medea’s husband Jason (Ben Daniels) has been unfaithful and is to marry another. Unfortunately, it all gets rather complicated for Medea when her rash actions and words leave her no other choice but to be exiled from the city along with her two sons by King Creon. 

REVIEW: Marvellous at @sohoplace

Telling the story of Neil ‘Nello’ Baldwin, Marvellous shares many of the qualities of the subject himself; fun, playful, and heartwarming. The action begins with the actors introducing themselves to the audience and inviting us to watch them act out Baldwin's extraordinary life. As they start they are interrupted by Neil himself, played by the fabulous Mike Hugo. From here we are narrated through his biography with the actors cycling through the various characters in Baldwin's life, sometimes with honesty and heart, and sometimes as caricatures with a glint in their eye. This marvellous life is a whirlwind, and the playful performances on stage keep the show exciting and engaging with barrels of laughs and bundles of love. Act 2, as is to be expected in biographical works, tugs more at our heartstrings, before bringing us bouncing into 2022 by the conclusion of the piece.

The cast on Saturday evening consisted of Suzanne Ahmet, Charlie Bence, Gareth Cassidy, Alex Frost, Jerone Marsh-Reid, Perry Moore and Joe Sproulle all playing characters of their own name. The cast is rounded off with Mike Hugo as ‘Real Neil’. Every member of this company was exquisite to watch. Their playfulness and eagerness shone through, and the love they all share for each other, and for Nello, is clear and authentic. Hugo’s portrayal of Neil Baldwin is stunning and respectful and relies on vocal work and physicality that can be tiring to maintain in a production, but he manages it brilliantly. Some special mentions for exquisite performances have to go to Ahmet’s portrayal of Neils's mother, Mary, Bence’s strong and loving Malcolm, Marsh-Reid’s expertly physicalised clown, Frost’s dark and nasty Ringmaster, Moore’s young Neil, and Sproulle’s captivating energy throughout. That brings me to Cassidy. Just wait for his Graham Norton... or his Ken Dodd... the list goes on!