As the end of January approached the 2021/22 Pantomime season draws to a close and Producers across the UK reflect on the extraordinary challenges, they have faced in making sure the “show must go on”. Changing Government regulations, audiences’ reluctance to go to theatre with a mask on and some worried about going if others don’t wear them, and of course Covid hitting cast and crew requiring understudies to step up to fill the gaps or rapid reblocking or rehearsing replacements. It will be a season that they don’t forget, and we hope the financial implications of cancelled shows will not hit regional theatre in a terminal way.
Birmingham Hippodrome’s Goldilocks and the Three bears did not escape these challenges. Traditionally one of the last to open on 18th December and one of last to close, in its final week to its last performances on 30th January it looked like a full cast and ensemble. Jonny Mac had been brought in from Scotland to cover for Matt Slack early in the run and at times many of the Ensemble were off, so we were lucky to see the show as intended on free Newspaper promotional tickets. Indeed, it was unusual to see so many seats in this wonderful venue empty suggesting it too has seen tickets sales hit, with the Programme cost cut from £5 to £2 to clear stocks another sign of lower sales than usual.
Matt Slack is in charge, he injects the basic Alan McHugh script with his own material, some fresh and some identical to previous years at the venue. The impressions routine was very good aided by a very large screen just to make sure we recognised who he was doing which we did not really need. The Birmingham Lord’s Prayer was fresh and added to the local flavour. His Lip sync routine with Jason Donovan was better than many others this season and it is great to see the two working together. The trunk of truth and “if I were not” routines are executed with a precise comic timing to make the most of these old routines.
Goldilocks (Samantha Dorrance) and the three bears (Ewan Goddard, Georgia Anderson and Jessica Daugirda) as title characters were relegated to walk on parts although Goldilocks acts as ringmaster introducing acts and Baby Bear does get a tap dancing routine. It might have been funnier if Mummy bear had been played by Doreen Tipton (cast as the lazy lion tamer) in the same way Nigel Havers played Daddy bear at the Palladium. She did at least get to ride the amazing Nellie the Elephant Twin FX effect although it too could have been integrated into the show better with a song. Alexia McIntosh, who has played Anna of Cleves in the hit musical Six also felt underused in the bit part of Candy Floss.
It was down to the Variety acts to add some magic to the circus and they are all good quality performers. Peter Pavlov and the Globe of Speed is impressive the first time you see it. Pierre Marchand knows how to spin a diablo and milk the audience applause, savouring the moment after each trick. The Gemini sisters are underused one replacing Matt Baker’s tight rope walk at the Palladium without any sense of jeopardy and then doing a swing act as an unnecessary distraction when Jason Donavan sings a song. Best of all is Phil Hitchcock as Mysterio with some effective magic illusions with a burning ball and then 4 doves, each executed with great flair and comic timing and leaving you wanting to see more of his illusions.
Review by Nick Wayne
Rating: ★★★