For those who, like me, haven’t seen the smash hit film;
this is the heart warming true story of King George VI overcoming his stutter
in order to deliver the speech of his life.
Set during Churchill-era Great Britain, this play is tight,
amusing, emotional and powerful and allows its leads the chance to take centre
stage; an opportunity both actors do with pleasure.
The relationship between King George and his Australian
actor cum speech therapist is key to the story and vital to the plays success.
Fortunately for this production the chemistry between Raymond Coulthard (King
George) and Jason Donovan (Lionel Logue) is so good, the play whizzes by and
moves the audience so much in the final moments.
There seems to be a genuine understanding and appreciation
between both actors and this translates effortless to their on-stage
relationship with King George and Lionel becoming an unlikely double-act. This
audience were moved to applause in the humorous and exhilarating moment that
sees Lionel make the King dance around his room. Their final handshake at the
end of the show was especially moving and a fitting climax.
Coulthard delivers a strong and measured performance as King
George VI and the audience hold their breath praying him to spit his words out.
The frustration he feels is wholly believable and the pressure on his shoulders
is immense and his final speech and realisation that he can be a successful
King is triumphant.
Donovan as hapless dreamer Lionel is the perfect foil for
the stuffiness of King George. Light-footed, free-spirited and completely
loveable, the audience are as pleased for him by the end of the show as they
are King George. Donovan has worked hard to carve out a successful theatre
career and on the
strength of this performance, it is his ability and
credentials and not his star name that will continue to get him work in the
future. A crowd pleaser for all the right reasons.
The two leads were well supported on stage by a small cast;
particularly Katy Stephens as long suffering Myrtle Logue, who helped the story
flow. The staging and scenery was simple and formal, befitting the nature of
the play, and no scene change took longer than ten seconds.
This was a confident and strong production both in terms of
individual performances, bond between its lead actors and classic storytelling.
Review by Andy Edmeads
Rating: ★★★★