Alexia Khadime | Interview

Alexia Khadime is currently playing Eponine in Les Miserable at the Queens Theatre. Alexia's West End debut was in The Lion King where she appeared in the Ensemble and covered the role of Nala which she later returned to the show to play full time after her time playing Candy in the UK Tour of Whistle Down the Wind. She played the role of Nala for four years until she left the show in 2008. From June to November in 2008 she took over the role of Elphaba in Wicked while Kerry Ellis went over to Broadway to play the role, she later returned to the role in May 2009 and was succeeded by Rachel Tucker in 2010. After Wicked she was in Welcome to the Thebes at the Royal National Theatre and played Deb in Ordinary Days at Trafalgar Studios. Her TV credits include Grange Hill, The Bill, The Queens Nose and Comin' Atcha. She can be heard on Act One - Songs From The Musicals Of Alexander S. Bermange, her own single 'Ring' and the Amazing Grace and Pride film soundtracks. She was very kind to fit us in with her very busy schedule and to talk about her wonderful career...

Your career ranges from a wide variety of things, you must be very proud of all the things you've done in the past! Are there any special memories you have collected from these that stick out from the rest?

They are all just so different. What I like is they individually have helped me to grow as a performer so they all stick out for me. Something's have been bigger than other but hey all just really count a lot.

From doing TV and theatre you are obviously very familiar with the similarities and differences, what are your favourite and least favourite things about both?I like with theatre you get one chance and you can't say CUT. Least favourite thing is not getting to see family very much as we have 1 day off a week. TV is exciting because it's always changing like new lines etc, so you're always growing. Least favourite thing is the days can be very very very long and sometimes there lots of waiting around. I remember having call time at 6am and not finishing till really late!

Wicked the Musical: Theatre Review

Wicked the Musical has recently celebrated its fifth birthday in the West End, the show has proven very popular with musical theatre fans as they continue to sustain a very strong fan base who remain dedicated to the show and support it constantly. I have reviewed this show twice before, but I recently saw the show with the new cast. A lot of the cast have left the show since I last saw it, so I wasinterested to be invited back to check them out.

Rachel Tucker has remained with the production since coming into the company in March 2010; ever since she first started she has just got better and better. She is as strong as she has ever been. What I love about Tucker's interpretation of Elphaba is that she understands the role, a lot of the portrayals I have seen have been based around the singing aspect of the role and the actress's I've seen don't have that much depth in their Elphaba, where as Rachel's does. Her rendition of Defying Gravity and No Good Deed was the best I have ever heard; her voice fills the theatre and is delightful while having an edge to it which gives you shivers down your spine. Her chemistry with Gina Beck (Glinda) was also wonderful; they have had some time to settle in since they have started and their characters definitely work amazingly together and have a certain connection which hasn't been portrayed like that before.

Gina Beck plays a fresh Glinda, her voice is pure and a wonder to the ears. Glinda's comedic parts in the show were done incredibly by her and she picked up on everything, in my opinion she is the only Glinda in the London production that has actually paid attention to who Glinda actually is, rather than focus on what happens to her on her journey in the show. She had a great presence as Glinda and her journey through the show also really contributed to her interpretation of the role.

Wicked the Musical: Theatre Review

Wicked the musical opened on Broadway in 2003 with productions in Los Angeles, Japan, Chicago, Germany and Australia.
The London production opened in 2006 with Original Broadway cast member, Idina Menzel. The story follows Glinda the Good and The Wicked Witch of the West (Elphaba) before Dorothy arrived in Oz. The musical comes from Gregory Maguire, the story explains why everything is the way it is in the land of Oz. It explains why Glinda is good, why the Witch is wicked, why the scarecrow has no brain, why the Lion is cowardly, why the tin man has no heart and everything thinkable in The Wizard of Oz is included in Wicked.
I recently made a trip back to the Apollo Victoria Theatre to see the show again, the show has everything that a musical should have, and it's universal. The balance between the humour and the emotional sides of the show are brilliant, it's a show that includes every emotion. It also has appeal to everyone, for children this show would be a fantastic spectacle and for adults it's an interesting insight to their favourite childhood story. I recently saw the show on September 24^thand it was one of the best performances I've seen from the Wicked Company. This is because we have a few understudies on, two of which it was only their third show on.

Wicked the Musical: Theatre Review

Wicked the Musical opened on Broadway in 2003 and since then has opened productions in Chicago, Los Angeles, Australia, Germany, Japan and London. The London production opened in 2006 and has been going strong ever since. The show has been through multiple cast changes and I recently went to see it on 22^ndApril 2011.

The show takes place before Dorothy arrived in Oz, following the story of the Wicked Witch of the West (Elphaba) and Glinda. It's about the relationship that the girls share with a love triangle, a controversy with the Wizard and the story of the Wicked Witch of The East. The show also explains why the Tin Man has no Heart, why the lion is cowardly and why the scarecrow has no brain.Its providing something that everyone can relate to, it reaches out to almost every audience member which is a very rare thing to find in a Musical.

The design team on this show are a dream; Eugene Lee's set is incredible to look at and fits perfectly into the show, as does Susan Hilferty's delightful and imaginative costumes. Stephen Schwartz's score is incredible. The stunning 11 O'clock numbers are to spare in this show; Defying Gravity, No Good Deed and Thank Goodness are the musical and emotional highlights in the show, each one expressing amazing emotion from the characters.