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Thursday, 24 December 2020

REVIEW: Sunset Boulevard in Concert - at Home by the Leicester Curve (Online)


There are no ushers to take me to my seat and no murmur of the audience as the house lights go down and the overture begins, yet, as I close my living room curtains, dim the lights and the title credits roll, I feel the same buzz I get sitting in a theatre while simultaneously being taken back to rainy weekends spent watching old movies with my family. Provoked by the novel restrictions placed on theatre at this time, Sunset Boulevard in Concert - at Home presented by Leicester’s Curve theatre have transformed a beloved musical into a hybrid cinema/stage experience like no other. You can’t keep this diva down!

Originally a film Noir masterpiece by Billy Wilder then adapted into the musical by Andrew Lloyd Webber and Black & Hampton followed by a further adaptation of the musical onto film, Sunset Boulevard lends itself to both screen and stage with authority. Set in 1950’s Hollywood it tells the story of struggling screenwriter Joe Gillis (Danny Mac) who finds himself entangled in the manipulative and delusional world of ‘has been’ silent film star Norma Desmond (Ria Jones). Unable to come to terms with reality Norma dreams of returning to the screen. It is dark, melodramatic and all the old Hollywood romance one could want.
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Wednesday, 24 January 2018

REVIEW: Sunset Boulevard at The New Victoria Theatre, Woking


Following on from Sunset Boulevard’s smash-success run at the ENO, Andrew Lloyd Webber’s much-loved musical has been touring the UK with a magnificent 16 piece orchestra. We follow struggling writer, Joe Gillis, on his quest to create a movie script which will get his name in the Hollywood history books. On his way, he meets Norma Desmond – once upon a time, a Silent Screen starlet, whose light is somewhat fading as films in Hollywood progress. Desperate to launch her return to film and fame, she shows Joe a screen-play she has been developing: a mish-mash mess about Salome – in which the aging Desmond plans to play the 16-year-old lead…. Needless to say, the plot doesn’t sit too well with Gillis, so he agrees to work with Desmond to re-write the screenplay and launch her return to the industry. In time, their relationship becomes blurred and Desmond begins to emotionally blackmail Gillis, threatening suicide and damnation if he leaves her. The story escalates and climaxes with a series of dramatic eventualities at her home, 10086 Sunset Boulevard. 

As Norma Desmond is Ria Jones, who made headlines when understudying Glen Close at the ENO in the same role. I had the pleasure of hearing her sing at the WhatsOnStage Awards last February and she received a full standing ovation after just one number. In Sunset Boulevard, she is utterly compelling and gripping as Norma. The power of her performance came from deep within her. Her eyes were so expressive that her inner monologue was almost audible. “As If We Never Said Goodbye” is one of my all-time favourite Musical Theatre songs, and the version I heard last night is my new definitive rendition. Moving and emotionally harrowing – it was perfection.
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Wednesday, 6 September 2017

INTERVIEW: Ria Jones, about to star as Norma Desmond in Sunset Boulevard on tour around the UK


Ria Jones is a theatre legend in her own right, she created the role of Norma Desmond almost 30 years ago in a workshop and is now returning to play he role full time after understudying Glenn Close at the London Coliseum in this new production which tours around the UK. Her other credits include Eva Peron in Evita (Opera House Manchester), Fantine in Les Miserables (National Tour & Palace Theatre), Grizabella in Cats (New London Theatre), Liz Imbrie in High Society (Shaftesbury Theatre & UK Tour), Reno Sweeney in Anything Goes (UK Tour), Alexander Spoffard in The Witches of Eastwick (UK tour) and Dorothy Brock in 42nd Street (Leicester Curve Theatre & Theatre Du Chatelet). 

We chat to her in rehearsals of this new production of Sunset Boulevard...

You have played some of the most iconic female roles in Musical Theatre history (Evita, Fantine, Norma, Grizabella, Reno to name a few!). What has been your favourite role to play so far and why?

As much as I loved play Eva Peron and Reno Sweeney I absolutely adored playing Mrs. Overal in “Acorn Antiques The Musical” as it was so far away from anything else that I had ever done. It was a real challenge which I loved and I also adore comedy.


What was your first ever job as an actress? And if you went back in time, what advice would you give yourself on your first day of rehearsals? 
That’s a long time ago; 35 years! It was the role of Robin in “Godspell”. My advice would be to know your lines as best you can.

If you had to re-live one show you have done in the past, which one would it be?
“Evita” – It was my first time on as Eva Peron – I was only 19 years old!
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