REVIEW: Brokeback Mountain at the Soho Place

Whether you’ve read Annie Proulx’s original short story or seen the film, Brokeback Mountain remains iconic. A story of a forbidden love between two cowboys spanning 20 years. In this latest adaption from playwright Ashley Robinson, we’ve got a 90-minute compacted story about cowboys Jack Twist (Mike Faist) and Ennis Del Mar (Lucas Hedges) and their secret relationship. 

The set design from Tom Pye is immediately striking, with the small stage the Soho Place offers, Pye makes excellent use of the stage by combining three sets in one. The kitchen, bed and campfire. A rundown Wyoming room helps us immediately imagine the time frame and the campfire helps to visualise Brokeback in front of us and immerse ourselves in the scene. 

REVIEW: Medea at the Soho Place

‘Hell hath no fury as a woman scorned’. We know the saying, but do we know the extent that these ‘scorned’ women will go to exact their revenge? In the instance of Medea (Sophie Okenedo), she’ll undertake the ultimate path to revenge in Robinson Jeffers’ adaptation of the shocking original tale from Euripides. 

Its premise is simple enough, Medea’s husband Jason (Ben Daniels) has been unfaithful and is to marry another. Unfortunately, it all gets rather complicated for Medea when her rash actions and words leave her no other choice but to be exiled from the city along with her two sons by King Creon.