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Tuesday, 22 April 2014

KING LEAR broadcast to cinemas worldwide as part of National Theatre Live on 1 May 2014


Sam Mendes’ acclaimed National Theatre production of Shakespeare’s KING LEAR with Simon Russell Beale in the title role, will be broadcast to cinemas and performing arts venues around the world from the National’s Olivier Theatre on 1 May at 7pm (international dates may vary). 
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing.
Simon Russell Beale’s recent theatre work for the National includes Timon of Athens (Critics’ Circle Award: Best Shakespearean Performance), Collaborators (Evening Standard Award: Best Actor), London Assurance, Major Barbara, Much Ado About Nothing, The Alchemist and The Life of Galileo; elsewhere, The Hothouse and Privates on Parade (West End), The Winter’s Tale and The Cherry Orchard (New York and Old Vic); and Bluebird (New York). His films include My Week with Marilyn and The Deep Blue Sea; television includes Spooks, Falstaff in the BBC film of Henry IV, and presenting the series Sacred Music and Symphony.
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Tuesday, 25 June 2013

Charlie and the Chocolate Factory the Musical: Theatre Review


Written in 1964, Charlie and the Chocolate Factory is one of Roald Dahl’s most loved books. Also made into two films (one in 1971 and one in 2005) its a franchise that people of all ages have loved and grown up with, and now its a West End Musical! 
The production is very good, its magical with elements that truly are astounding and take you back to your childhood. Quite often I found myself with my jaw almost to the ground at some of the aspects of the show. Sam Mendes’s direction flows so well with huge help from the swift and flawless scene changes. He has brought the sharpness that movies have to the stage, you do not get bored at any point in the show. The pace of it moves quite fast, too fast at some points. You almost feel like some things could have been cut out to enable some of the really good moments to be drawn out a little. The set, by Mark Thompson, was fantastic. 
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