In a world filled with familiar shows that pedal out the same old story time and again, Ride shines as a beacon of originality, artfully weaving the little-known history of Annie Londonderry into the most extraordinary and exciting musical experience. Freya Catrin Smith and Jack Williams have skillfully crafted a captivating narrative that transcends time and place, touching on subtle feminist themes, the power of storytelling, and the complex relationship between reality and self-perception. But don’t worry; it’s done in a fun, fascinating, and fabulously fantastic way that makes the story even more compelling that it already is.
That story is that of Annie Londonderry who, on the back of a wager that may or may not have actually happened (she is the most unreliable of narrators, as we come to find out), carries out the astonishing feat of cycling solo around the world. And this was in 1894. And she’s a woman. And now she’s home and wants to tell her story (and get a job as a journalist in the process). That’s impressive, but it goes deeper than that. Ride shows Annie Londonderry as more than just a record-breaker on a bike – she’s a real person and she’s just as complicated as the rest of us.
