REVIEW: The Tempest Re-Imagined for Everyone Aged Six and Over at Regent's Park Open Air Theatre

Prepare to be transported to a world of magic and imagination with The Tempest Re-Imaged for Everyone Ages Six and Over at Regents Park Open Air Theatre. This captivating production, tailor-made for young children, weaves together the traditional words of Shakespeare along with modern songs and references that will help children really understand the story and appreciate the original play at the same time – it’s a clever idea that works well, creating a charming, fun and funny play.

Before the play even begins, the audience is greeted with the soothing sounds of waves crashing on the shore as they enter the performance area of Regent’s Park Open Air Theatre. This immersive beginning sets the tone for the enchanting journey about to unfold, immediately transporting us to the island where the story takes place. In fact, this immersive storytelling is a feature of The Tempest Re-Imagined, with both Ariel (Juliet Agnes) and Caliban (Ashley D Gale) starting the show by teaching the audience a tune to sing, as well as some dance moves. There’s more of this audience participation at various points throughout The Tempest, but it stays just the right side of panto and keeps everyone engaged.

REVIEW: Robin Hood: The Legend. Re-written. at Regent's Park Open Air Theatre

The programme tells us that the origins of Robin Hood are in 1220 in Yorkshire, but I was brought up watching the black and white TV series The Adventures of Robin Hood (made between 1955-1959) starring Richard Greene and for me, those characters will forever be defined by those creations. It has always been a story of good triumphing over evil, of the redistribution of wealth and of people who value the woodlands, so I am not sure why it needs to be rewritten. Carl Goose seeks to reinvent the characters for a modern social and political landscape with a rebalancing of gender roles and I assume to attract new audiences to the folk hero. You are at least notified of what to expect by the colon and “Re-written”, it is never a good sign to see punctuation in the title!

Having seen a great many shows in the last week, I felt I was in some sort of nightmare where so many influences were jumbled up with my memories. Monty Pythonesque Barons trotted on, recast from The Holy Grail. The eye-gouging and graphic violence of “The Pillowman” regularly appeared. The overbearing authority figures dressed in black decreeing death to all appeared from “The Crucible”. The Balladeer from “Assassins” popped up to narrate a link. The King (unnamed) stumbled around, and I expected him to break into “You'll be back” from “Hamilton” at any moment. When the soldiers appeared in hi-vis jackets, I thought Viggo Venn (from Britain’s got talent) was going to prance around the stage at any moment. Then when three Robin Hoods appeared I at least recognised them as being part of the story, Richard Greene’s version in Lincoln green tights, Michael Praed’s version from the 1980’s Robin of Sherwood and a third who represented every other Robin there has been from Yorkshire, Newcastle, Ireland, and Canada. Indeed, their appearances provided some of the best moments of humour and audience appreciation.

REVIEW: Once On This Island at the Open Air Theatre, Regent's Park

Once on this Island has a really special and important message for us in 2023. With crimes being committed every day against non-white communities and with the current backlash the trans community are facing, this is a story that could teach our society a lot. The consequences that segregation can cause are brutal and this really lifts a mirror to the world we’re living in today. 

Beautifully told by the cast and creatives, this is a simple production that utilises the narrative and writing to do most of the work, and luckily it’s brilliant, so it just emphasises the work that Lynn Ahrens (Book and Lyrics) and Stephen Flaherty (Music) have created.

REVIEW: 101 Dalmatians at Regent's Park Open Air Theatre

Coming straight from a triumph run of Legally Blonde, Regent’s Park Open Air Theatre bring us their second musical of the 2022 season with a new adaptation of 101 Dalmatians. The show was previously set for the 2020 season, was postponed until 2021 and finally makes its premiere this summer.  

The story has been updated to current times with Cruella becoming a modern-day influencer, sometimes with modernisations, it can be a little ‘in your face’ but with this, it didn’t seem that way. Although there were many plot holes around the changes in the story, including the reason why Cruella has a fascination with the puppies, it wasn’t so vital that we got answers from it but it did lack in the character's development. And I’ll say this, Dominic and Danielle really need to invest in a new lock on their front door. 

REVIEW: Legally Blonde at Regent's Park Open Air Theatre

Any musical theatre fan holds Legally Blonde in the elite category of shows, based on the 2001 film this piece is a cult classic and perfect for hardcore musical theatre fans as well as the average theatregoer. 

Directed by SIX the musical co-director, Lucy Moss, this production of Legally Blonde, unfortunately, highlights her inexperience. Regent’s Park is a huge space and this product just doesn’t fill it, not only does the cast not seem big enough to fill the stage but there are choices made that just don’t work. This along with the absolute horrendous set design, the show just seems a bit messy and 2D. 

The thing about Legally Blonde and why we all love it is because the characters are loveable and real within a bit of a ridiculous storyline, what Lucy Moss has done is taken out the realness and replaced it with 2D characters and slapstick comedy which strips back the truth within the story. 

COMING HOME: Michael Afemaré, appearing in Andrew Lloyd Webber’s Cinderella at the Gillian Lynne Theatre

Pocket Size Theatre and Liza Heinrichs (Captured by Liz) have teamed up again and created our new series 'Coming Home'. In this new piece, we look at the reopening of Theatres in London and around the country and celebrate our industry coming back. We got together some performers who will be some of the first to return to theatres and created this piece to bring some positivity to the theatre industry which has been through one of the toughest years in our lifetime. Whilst it is important to acknowledge the hardships we've all gone through, it's important we pull together as a community and celebrate our beloved industry finally coming back! 

Michael Afemaré was due to perform in the transfer production of Evita. The show was revived in a brand new production at the Regent’s Park, Open Air Theatre in 2019 and was meant to be taking over the Barbican in the summer of 2020. But, with the closure of theatres, the production, unfortunately, didn’t go ahead. What that meant for Michael was that he had lost out on a wonderful job. But, we mustn’t focus on the negatives because the day before we met Michael, it was announced that he would be joining the original London company of Andrew Lloyd Webber’s Cinderella. Having previously been in the original London cast of Dreamgirls at the Savoy Theatre, he is no stranger to a West End premiere! 

Over the past year, so many issues have been brought to the surface and highlighted in our industry. So many important conversations have been going on and with theatre now planning on reopening, this is the time for the change and progress we’ve been campaigning for. Michael feels incredibly passionate about the lack of representation of ethnicity within the industry, in particular artists of Indian and Asian heritage. Something interesting that he also brings up is, this isn’t just about the casts and people we see on stage, it goes way beyond that, “I am always trying to fight the fight for more equal opportunities, but these opportunities also need to exist beyond theatre casts. I would love for there to be a world where representation and diversity can be noted and appreciated in more positions of power; creative teams, directors, choreographers, casting directors - the list is endless.” 

Full casting and extra performances added for EVITA at Regent's Park Open Air Theatre

Chicago-based Samantha Pauly makes her UK debut in the role of Eva Peron, direct from her performance in SIX (Chicago Shakespeare Theatre) and as Valkyrie in Bat Out Of Hell (US Tour). She appears alongside Ektor Rivera, also making his UK debut, having recently played Emilio Estefan in On Your Feet! on Broadway and US Tour. In addition to lead roles in Rent,Hairspray and High School Musical, Ektor was selected by Jennifer López to be one of the lead singers in the US Television and Live show Q’Viva! The Chosen, which was seen by over 30 million television viewers.

An original Broadway cast member of Disney's Aladdin - where he has been performing on and off for the last 5 years - Trent Saunders returns to the UK in the role of Che following his appearance as St. Jimmy in Green Day's American Idiot (Hammersmith Apollo). Nominated for an Olivier Award for her role as Kylah in Our Ladies of Perpetual Succour, Frances Mayli McCann plays the role of The Mistress. Having appeared in Les Miserables, Sunset Boulevard, Urinetown and Sweeney Todd, Adam Pearce plays the role of Augustin Magaldi. 

The rest of the cast includes Alexander Barria, Felipe Bejarano, Alex Cardall, Russell Dickson, Lauren Drew, Hannah Fairclough, Chris Fung, Chloe Hart, Travis Kerry, Jessica Lee, Dale Mathurin, Peter Nash, Sarah Naudi, Mireia Mambo, Marsha Songcome, Bree Smith, Monica Swayne, Oliver Tester, Amy Thornton, Jon Tsouras and Rodney Vubya. Children include Saffia Layla, Ava Masters, Chanai Owusu-Ansah and Ellicia Simondwood

REVIEW: As You Like It at Regent’s Park, Open Air Theatre

We used to go on the internet to connect with the real world. Now, we turn off all our devices to be able to finally connect with it. The forest of Arden seems to be this place where everything is turned off, and we can connect to nature and the people we come across, really listen and not resort to violence but choose communication and love. In the times we are in, this Forest could not seem timelier. And what a better place than Regent’s Park Open Air theatre, with its Roman architecture and enchanting gardens and lights, to help us reconnect with our senses?

“As you like it” is the comedy by William Shakespeare that keeps restating the endless existence and importance of love. Sometimes it hurts, other times it keeps you alive. After being banished from the Court, Rosalind and her dear friend Celia flee to the Forest of Arden, Rosalind dressing as man to protect herself. Orlando, who has fallen in love with Rosalind at first sight after an earlier wrestling match, also escapes the Court in his lovesickness. The lovers’ paths will cross, but Rosalind, now Ganymede, will not reveal who she really is until she feels she can do this safely. In the forest, games of seduction, battles of wit and musical cheerfulness by its many colourful characters warm us with increasing humanity. 

REVIEW: Lord of the Flies at the New Victoria Theatre in Woking

Whenever I hear the phrase “Lord of the Flies” I experience very dramatic flashbacks of my GCSE English Literature days. I had a wonderful teacher who was raised in New Zealand. Her accent was so distinctive that when it came to the exam, I could hear her voice playing round and round in my head. To this day I can still hear phrases like “Simon is the Christ-like figure in the novel” and “the conch is the symbol of order amidst all this chaos” so as I approached the New Victoria Theatre in Woking, I remembered those days. Flocks…no, SWARMS of teenagers poured into the theatre to see William H Golding’s classic 1954 novel brought to life.

The novel, simply put, closely examines the breakdown of societal values and the raw brutality of humanity in times of utter desperation. The novel follows a group of school children who are stranded on an island with no adults after a plane crash. The novel was adapted for this production by Nigel Williams.

After touring the UK, TO KILL A MOCKINGBIRD will play at the Barbican and will star Robert Sean Leonard

Following two hugely successful runs at Regent’s Park Open Air Theatre, To Kill a Mockingbird will return to London from 24 June until 25 July 2015 at the Barbican, at the end of the forthcoming UK tour. Robert Sean Leonard is thrilled to reprise the role of Atticus Finch exclusively at the Barbican. Tickets are now on sale to Barbican Red and Orange Members. 

Tickets will go on sale to the public on Tuesday 2 September at 10am.

Robert Sean Leonard is a Tony award-winning American actor and is best known for playing Dr. James Wilson in the Fox television series House and Neil Perry in the 1989 movie Dead Poets Society. Having frequently performed on and off Broadway since 1986, To Kill a Mockingbird at Regent’s Park Open Air Theatre in 2013 marked Robert’s critically acclaimed return to the London stage for the first time in 22 years. 

Opening Night of PORGY AND BESS at Regents Park Open Air Theatre

Last night, Monday 28 July, was the Opening Night of the Gershwins’ Porgy and Bess which runs at Regents Park Open Air Theatre until 23 August. After the show, cast, creative team and invited guests enjoyed a summer drink of Canard Duchêne Champagne on the lawn of Regents Park Open Air Theatre, accompanied by Belly Pork Croquettes with Roasted Corn Cream and Lemon Cone Trees.

Celebrated as a landmark piece of American theatre with iconic songs including ‘Summertime’, ‘I Got Plenty of Nothing’, ‘I Loves You Porgy’ and ‘It Ain’t Necessarily So’, Porgy and Bess is directed by Regents Park Open Air Theatre’s Artistic Director Timothy Sheader, with a book adapted by Suzan-Lori Parks and a musical score adapted by Diedre L. Murray.

Drawing on talent from both sides of the Atlantic, Rufus Bonds Jr plays Porgy and Nicola Hughes plays Bess, with Phillip Boykin as Crown, Cedric Neal as Sportin’ Life and Olivier Award-winning Sharon D Clarke as Mariah.

FIRST LOOK: Gershwins’ Porgy and Bess at Regents Park Open Air Theatre

Gershwins’ Porgy and Bess runs at Regents Park Open Air Theatre from 17 July to 23 August with Opening Night for press on 28 July. Celebrated as a landmark piece of American theatre with iconic songs including‘Summertime’, ‘I Got Plenty of Nothing’, ‘I Loves You Porgy’ and ‘It Ain’t Necessarily So’, Porgy and Bess will be directed by Regents Park Open Air Theatre’s Artistic Director Timothy Sheader, with a book adapted by Suzan-Lori Parks and a musical score adapted byDiedre L. Murray.

Drawing on talent from both sides of the Atlantic, Rufus Bonds Jr plays Porgy and Nicola Hughes plays Bess, with Phillip Boykin as Crown, Cedric Neal as Sportin’ Life and Olivier Award-winning Sharon D Clarke as Mariah.

The full cast of Porgy and Bess also includes David Albury, Angela Caesar, Jade Ewen, Alex Giannini, Owain Gwynn, Tyrone Huntley, George Ikediashi, Claudia Kariuki, Arthur Kyeyune, Oliver Lidert, Leon Lopez, Jay Marsh, Tania Mathurin, Ellen O’Grady, Golda Rosheuvel, Yemie Sonuga and Marvin Springer.

Regent Park Open Air Theatre’s TO KILL A MOCKINGBIRD casting announced, Daniel Betts stars

Casting for Regent Park Open Air Theatre’s production of To Kill A Mockingbird was announced today. Daniel Betts will play Atticus Finch alongside Zackary Momoh as Tom Robinson, Christopher Akrill as Boo Radley. Original cast member and composer Phil King will reprise his role.

Daniel Betts is an accomplished stage actor whose previous theatre credits include Skylight (National Theatre), The Winter’s Tale (Royal Shakespeare Company), Dial M for Murder (UK Tour), Sweet Bird of Youth (Old Vic), The Great Game (Tricycle, NYC & US Tour) and The King’s Speech (Wyndham’s Theatre). Daniel’s previous television roles include Criminal Justice, Law and Order and A Touch of Frost.

5,000 extra tickets released for TO KILL A MOCKING BIRD at Regent’s Park Open Air Theatre

Due to phenomenal demand, 5,000 extra tickets will go on sale on Monday 30 June for Timothy Sheader’s critically acclaimed production of To Kill a Mockingbird (28 August- 13 September) at Regent’s Park Open Air Theatre, including an extra matinee added for Tuesday 9 September.


The award-winning production (Best Revival, WhatsOnStage Awards), which has now sold over 75,000 tickets, taking £2.3million at the box office, returns to the Open Air Theatre following sell-out performances in 2013, and precedes a UK tour. 

Regent's Park Open Air Theatre presents Gershwins’ PORGY AND BESS

Rehearsals have now started, for  the Gershwins’ Porgy and Bess which will run at Regents Park Open Air Theatre from 17 July to 23 August with Opening Night for press on 28 July. Celebrated as a landmark piece of American theatre with iconic songs including‘Summertime’, ‘I Got Plenty of Nothing’, ‘I Loves You Porgy’ and ‘It Ain’t Necessarily So’, Porgy and Bess will be directed by Regents Park Open Air Theatre’s Artistic Director Timothy Sheader, with a book adapted by Suzan-Lori Parks and a musical score adapted byDiedre L. Murray.

Drawing on talent from both sides of the Atlantic, Rufus Bonds Jr plays Porgy and Nicola Hughes plays Bess, with Phillip Boykin as Crown, Cedric Neal as Sportin’ Life and Olivier Award-winning Sharon D Clarke as Mariah.

The full cast of Porgy and Bess also includes David Albury, Angela Caesar, Jade Ewen, Alex Giannini, Owain Gwynn, Tyrone Huntley, George Ikediashi, Claudia Kariuki, Arthur Kyeyune, Oliver Lidert, Leon Lopez, Jay Marsh, Tania Mathurin, Ellen O’Grady, Golda Rosheuvel, Yemie Sonuga and Marvin Springer.

FIRST LOOK: Hobson's Choice at Regent's Park Open Air Theatre

Regent's Park Open Air Theatre's season continues with this Harold Brighouse comedy from the cobbles of Lancashire. Set to the sights and sounds of the sixties, Mark Benton plays bombastic boot-shop owner Henry Horatio Hobson. When his 'plain' daughter, Maggie (Jodie McNee) becomes intent on marrying long-suffering boot-maker Willie Mossop (Karl Davies), Hobson's future looks uncertain. However it is hapless Willie who triumphs in this unlikely love story, as newfound fortitude deals a resolution that is -Hobson's Choice.

Mark Benton plays the title character, he is best known for his television roles inEarly Doors, Northern Lights and Waterloo Road. His stage credits include The Front Page (Donmar Warehouse), A Day in the Death of Joe Egg (Nottingham Playhouse) and the 2013 UK tour of Hairspray.

DATES ANNOUNCED FOR THE 2014/15 UK TOUR OF TO KILL A MOCKINGBIRD

Following its hugely successful run in 2013 at London’s Regent’s Park Open Air Theatre, To Kill a Mockingbirdwill embark on a UK tour in September 2014. Casting will be announced in due course.


The tour will begin on 15 September 2014 at Canterbury Marlowe Theatre and then will tour to Norwich, Malvern, Woking, Leicester, Cardiff, Hull, High Wycombe, Cambridge and Birmingham. Further dates for 2015 will be announced in due course.


Directed by Timothy Sheader, To Kill a Mockingbird originally opened Regent’s Park Open Air Theatre’s 2013 season to critical acclaim and sell out performances. Due to popular demand, it will return to conclude the 2014 season at the Open Air Theatre which will also include All My Sons, Hobson’s Choice and The Gershwins’ Porgy and Bess. Proving its success across every art form, the 1960 novel was awarded the Pulitzer Prize, followed by the film adaptation in 1962 which won three Oscars out of the eight it was nominated for.


The UK tour of To Kill a Mockingbird will be produced by Regent's Park Theatre Ltd, Fiery Angel, Adam Spiegel and William Village.

Lead cast announced for Regents Park PORGY AND BESS and HOBSON'S CHOICE

Nicola Hughes 

Today, Regent’s Park Open Air Theatre has confirmed lead casting for Hobson’s Choice and the Gershwins’ Porgy and Bess. Mark Benton will play Henry Hobson in Hobson’s Choice, with Jodie McNee as his daughter Maggie. Rufus Bonds Jr and Nicola Hughes play the title roles in Porgy and Bess with Phillip Boykin re-creating his Tony Award nominated performance as Crown, and Sharon D Clarke as Mariah.

Mark Benton is best known for his television roles in Early Doors, Northern Lights and Waterloo Road. His stage credits include Richard III (Royal Shakespeare Company), The Front Page (Donmar Warehouse), A Day in the Death of Joe Egg (Nottingham Playhouse) and the 2013 UK tour of Hairspray. In September 2013 Mark was a popular contestant on BBC1’s Strictly Come Dancing.

Jodie McNee has previously appeared in King Lear (Shakespeare’s Globe), Twelfth Night (Liverpool Everyman), The Empty Quarter (Hampstead Theatre) and A Life of Galileo, Written on the Heart and Measure for Measure (Royal Shakespeare Company).

Hobson’s Choice will run from 12 June to 12 July and will be directed by Nadia Fall whose credits include The Doctor’s Dilemma and Home (National Theatre) and Disgraced (Bush Theatre). The set and costumes will be designed by Ben Stones whose credits include Creditors (Donmar Warehouse), The Kitchen Sink (Bush Theatre), and Doctor Faustus (Royal Exchange) for which he won the MEN Best Design Award 2011.

Rufus Bonds Jr is an American actor who has appeared in The Color Purple (US National Tour), Disney’s The Lion King (US National Tour) and the original Broadway production of Parade for which he was nominated for the Drama Desk Award for Outstanding Featured Actor in a Musical.

Nicola Hughes revisits the role of Bess following her Olivier Award nominated performance in Trevor Nunn’s 2006 production at the Savoy Theatre. Her stage credits also include The Color Purple (Menier Chocolate Factory), Fosse (Prince of Wales Theatre / Olivier Award nomination), and Velma Kelly inChicago (Adelphi Theatre).

Porgy and Bess will also star Phillip Boykin who will reprise the role of Crown, for which he received Tony, Drama Desk and Outer Critics Circle nominations for the 2012 Broadway production (Tony Award, Best Revival of a Musical). Double-Laurence Olivier Award nominee Sharon D Clarke, whose credits include We Will Rock You (Dominion Theatre), Ghost (Piccadilly Theatre) and The Amen Corner (National Theatre), will play the role of Mariah.

Rufus Bonds Jr and Phillip Boykin are appearing with the permission of UK Equity, incorporating the Variety Artistes’ Federation, pursuant to an exchange program between American Equity and UK Equity.

Celebrated as a landmark piece of American theatre, the Gershwins’ Porgy and Bess will run from 17 July to 23 August, directed by Timothy Sheader, with a book adapted by Suzan-Lori Parks and a musical score adapted by Diedre L. Murray. The set and costume will be designed by Katrina Lindsaywhose credits include Table and London Road (both National Theatre), Cabaret (West End and UK Tour), and Les Liaisons Dangereuses (Broadway) for which she won the 2008 Tony, Outer Critics Circle and Drama Desk Award for Best Costume Design. Choreography will be by Liam Steel whose credits include the musical staging and choreography for the film of Les Misérables and at Regent’s Park Open Air Theatre, co-directed and choreographed Into the Woods which was remounted at the Delacorte Theatre in New York’s Central Park in 2012.

Further casting for the season will be announced shortly. 

The Sound of Music, Regents Park Open Air Theatre: Review

Regents Park is one of my favorite venues, its a beautiful setting and is truly magical with the right production. The parks musical this year is the widely loved The Sound of Music, a film most remember from their childhoods. I must admit, I saw the film quite a few years ago and thought it was a little boring. I knew the stage show would be very different because from what I heard this production was very stripped back and was more of a play with the addition of the iconic music than a fluffy musical which, from what I hear, is what other productions have seemed to have portrayed. 

The Sound of Music follows the story of Maria Rainer who is sent from a convent to be the governess the seven children of Captain Von Trapp, after struggling with her relationship with him they finally fall for each other and get married. Set against the backdrop of the Nazi take over this story is very powerful and shows the true meaning of love and family. 

To Kill A Mocking Bird, Regents Park: Theatre Review

To Kill A Mocking Bird was first published in 1960 and since then has never been out of print. A book about civil rights, Racial Injustice and courage; this story could have ruined author Harper Lee’s career, instead, it did the opposite. To Kill A Mocking Bird is the first of four productions that are to be staged at the Open Air Theatre in Regents Park this season, after seeing A Midsummer Nights Dream at the theatre the previous year I had high expectations for this. 

The play is very touching, the audience are drawn into the characters and during the trial, really get taken into the events and become the jury. Timothy Sheader directs this production and I must say that he has done a good job of it, combined with the other design aspects of the production it was visually beautiful. He really has put a lot of emphasis on the actual telling of the story, the audience have to bring their imagination and build upon that. He’s got the ensemble to read Scouts Narration from the book which really pulls everything together and reminds you that this story is from a young persons point of view.

Jon Bausor designs the show, starting with a bare stage, expect a tree, the actors literally draw the map of the road where the play takes play on the stage with chalk. Very reminiscent of The Curious Incident of the Dog in the Night-Time design I thought. One thing I wasn’t loving was the backdrop, just a black background that changed colour. It was very out of place and I kind of wished they could have used their natural surroundin