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Sunday, 8 October 2017

REVIEW: A Nazi Comparison at the Waterloo East Theatre


As someone who's been studying communication techniques for many years, I was initially impressed by the simplicity with which Craft Theatre conveys its political message. Based on Hanns Johst's play Schlageter and comparing contemporary political leaders to Hitler, the company highlights how propaganda relies on the divulgation of distorted information to manipulate public opinion. To corroborate this idea, we're also shown a video clip about Corbyn and the responsibilities of the press in his recent unsuccess during the general election. Another topic that emerges at the beginning of the play, is the Grenfell Tower disaster and the cloud of misinformation around the reasons of the fire and the number of victims. 

Getting caught in a pro-truth rally whilst heading to university, main character Clare (Louise Goodfield) meets Craig (Craig Edgely), a self-defined 'white hero' and a civil rights activist. Smitten with him and inspired by his socio-political views, Clare gives an academic presentation, where she announces her retirement from a course in Public Relations to embrace the fight for social justice. Focusing on the dynamics of American propaganda since the end of World War II, Clare makes a list of the country's political manoeuvres which have been supported by worldwide communication campaigns, despite breeching diplomatic agreements and disregarding basic human rights. 
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Friday, 24 October 2014

Dante's INFERNO to be staged by Craft Theatre at the Rag Factory


Thrilling devising company Craft Theatre will be presenting a new, fearless and physical modern telling of Dante Alighieri’s timeless classic, Inferno. Featuring Craft’s unique, soul-baring and thought-provoking performance style, this “muscular and intense” (Time Out) production will show the audience the circles of hell and moral crises we all face in our daily lives.

“raw, emotional performances” (Everything Theatre)

Craft Theatre use exhaustion, cognitive neuroscience, sociology and devising techniques to create work that focuses on emotional authenticity and depth – keeping the actor present, and telling stories with integrity. Their devising process is physical, psychological and rigorous, with a final result that is “a gut wrenching pummel to the core base, primal senses of human emotion” (Bargain Theatreland).
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