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Thursday, 9 August 2018

REVIEW: Me and My Girl at the Chichester Festival Theatre


We were fortunate to see the 1985 version of Me and My girl with Robert Lindsay and Emma Thompson at Adelphi theatre in London with Stephen Fry's new book to Noel Gay music which added his 1937 hit "Leaning on the lamppost" to the second act. It was a joyous fun award winning show that lived long in the memory as a result of Lindsay's delightful cockney charm and musical comedy abilities. It was therefore with some high expectations that we returned to the show in Chichester over thirty years later.

Director Daniel Evans, choreographer Alistair David and designer Lez Brotherston who had previously all staged Fiddler in the roof at Chichester return to stage this production on the thrust stage at the Festival theatre . Although this had worked in recent revivals of Gypsy and Half a Sixpence , this production felt shoe horned onto the thrust with a third of the audience side on. As a result there were some wonderfully conceived back wall sets of the house in the country exterior and interiors and a rather uninteresting black tab and projections for the London scenes. It also required actors to regularly enter from the auditorium vomitories and this constrained our view from the side on seats . There is no additional writing credit but this production seemed littered with weak jokes and puns in the tradition of British music hall from which the Gay's melodies were first written. "Aperitif ? No I have got my own". This music hall heritage seems to be the motivation for casting Matt Lucas in the central character of Bill Snibson, the cockney lad who finds to his surprise that he is the sole heir to the title of Lord Hareford if he can pass a fit and proper test. 
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Wednesday, 26 December 2012

Andrew Wright | Interview


Andrew Wright has become one of the West End's favourite choreographers recently, with productions that have astounded the public. His choreographer credits include Singin' In The Rain (Palace Theatre and Chichester Festival Theatre), 42nd Street (Chichester Festival Theatre and The Curve, Leicester), Wonderful Town(National Tour), The Showgirl Within(Garrick Theatre), Once Upon A Time At The Adelphi(Liverpool Playhouse, Union Theatre and Trafalgar Studios) ,By Jeeves(Landor Theatre) and many many more! His performance credits include Scrooge(London Palladium), Mary Poppins (Prince Edward), Anything Goes (Drury Lane), Cats (New London), Disney's Beauty and the Beast (Dominion and National Tour), A Chorus Line (Derby Playhouse and National Tour) and many more! His list of credits are endless, a career that anyone would be very jealous of! He was also nominated for an Olivier Award in early 2012 for Singin' in the Rain. Taking time out of very busy life, Andrew had the time to answer a few questions!


How did you first get into Dance?I went to a local dance school in Somerset and also danced at my main school, Millfield. However I didn't start to professionally train until the age of 17 at Arts Ed, London.

Is there any advice you'd give to any aspiring dancers out there?That there is no short cut to success. Put the hours of training in. The more skills you have to offer the better your chance of employment is.
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Tuesday, 18 December 2012

Singin' in the Rain the Musical: Theatre Review


Singin' in the Rain is one of Hollywood's most loved and treasured musicals, although it caused controversy because Debbie Reynolds voice was ironically dubbed in parts, it still remains among people's favourite musicals of all time. Bringing an adaption of the iconic film to the West End would always be a risky thing because you'd have to get it right; otherwise you'd be seen to be making a joke of one of the most loved films from the past 100 years. The show was first put on in London in 1983 where it ran about 2 and a half years at the London Palladium, this adaption then went on tour in the UK in 1994. A Broadway production also played New York in 1985 through to 1986 with London revivals in 2000 and 2004.
In 2011 another revival was put on as part of the Chichester Festival in 2011, the show then announced it would be transferring to the West End where it would replace Priscilla Queen of the Desert at the Palace Theatre. Don Lockwood is a Hollywood legend in 1927, alongside Lina Lamont; they make the perfect 'Hollywood couple'. They are huge hits until movies introduce sound into their pictures because Lina has the worst voice! Luckily Don bumps into a young actress called Kathy Sleden, they come up with the idea to dub Lina's voice with Kathy's. Don and Kathy soon fall in love, much to Lina's disapproval because this could ruin her career. By the end of the show Lina is soon shown as the fake she is to the public and Kathy finally gets the attention she deserves.
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