Bare: A Pop Opera then Bare: A Rock Musical then Bare: The Musical has been rewritten and reimagined many times in its underexposed and underrated life. However - Bare: A Pop Opera is back in London after a run at The Union Theatre and then The Greenwich Theatre a few years back. This time, it’s chosen The Vaults as its home with Julie Atherton at the reins, directing. With book and lyrics by Jon Hartmere, and book and music by Damon Intrabartolo, Bare: A Pop Opera follows the students of St Cecilia’s as they explore sex, drugs, queer identity, and prepare to bare their souls.
Before talking about the show, I would like to comment on the event itself. Obviously, being a reviewer, I have attended many press nights but this one seemed pretty terribly organised. Upon arriving to the, not so easy to find, venue, the staff didn’t really seem to know what was going on which wasn’t the best start to a theatre experience. The doors opened at 7pm to the bar and the ticket collection was unclear. Cast members were walking back and forth through the bar chatting to friends and there were no toilets available until the house was open at around 7.15pm. The seating was unreserved but divided into coloured sections for different price points. This caused a lot of drama and confusion among patrons. The show went up twenty minutes late and finished at 10.20pm - much later than expected.
Saying that though, the venue was quirky and interesting but not great for being able to see the stage and action.
