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Wednesday, 13 February 2019

REVIEW: The Clockmaker’s Daughter

You may not be familiar with the writing duo Webborn & Finn, but that’s all about to change. Their first full-length musical, The Clockmaker’s Daughter premiered in London in 2015 and went on to critical acclaim, multiple sell out runs, and eleven award nominations to date.

The original musical faerytale has released a concept album featuring a star studded cast including Christine Allado (Hamilton, In The Heights), Fra Fee (The Ferryman West End & Broadway, Les Misérables West End & film), Ramin Karimloo (Anastasia, Phantom of the Opera), Hannah Waddingham (Kiss Me Kate and HBO’s Game of Thrones), Matthew Croke (Aladdin,Funny Girl), Lauren James Ray (Wicked, Putting It Together Hope Mill Theatre) and Graham Hoadly (Fame National Tour, Guys & Dolls Kilworth House). 

The Clockmaker’s Daughter is set in the fictional Irish town of Spindlewood and has what can be described as a modern folk score. While there are elements of folk music interwoven throughout the songs, they also vary widely in style to include everything from ballads and patter songs. The album opens with “The Turning of the Key” which is the strange ritual the townsfolk take part in every year as spring unfolds. This first track sets the stage for the story to be told and conveys a feeling of community as the talented ensemble is heavily featured. 
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