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Wednesday, 27 June 2018

REVIEW: Sh*tfaced Shakespeare's Romeo and Juliet at the Leicester Square Theatre


For anyone who is unfamiliar with the concept of Sh*tfaced Shakespeare, it’s really quite simple. In a company of five actors, one is chosen at random before the evening’s performance to get outrageously drunk before taking to the stage. Sh*tfaced Shakespeare declare in any given week, no performer is ever asked to drink on consecutive nights. In addition they are never required to drink more than four times in the course of one month. (They proudly acknowledge that this means they are the probably most sober cast of performers in the West End!) It’s then up to the talented cast of actors surrounding the one drunk performer to try and keep the show running as smoothly as possible. At the Press Night for Romeo and Juliet, it was Beth-Louise Priestley’s ‘Juliet’ who had taken to the gin and lager and little too hard before curtain up. 

Can we be at all surprised with the concept like this that the show did not run smoothly? Juliet forgot to call her beau Romeo, but instead referred to him as Richard (the actor’s name) throughout the show. She wobbled atop her balcony and leant over the edges so brashly, my heart almost stopped. She licked people’s noses. She wrestled with curtains. She spat out her drink laughing at her costars jokes. She was also flagged down by the compère for “dangerous behaviour” and had her dagger taken from her and was instead handed a large stuffed toy snake (which she proceeded to use to re-enact Britney Spears’ iconic “I’m A Slave For U” performance. As the show was beginning to come to the dramatic close, she sprung up from bed to declare “I’m not dead yet!” and skipped off the stage...! 
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