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Friday 31 December 2021

Pocket Picks: Best Shows of 2021


Here at Pocket Size Theatre, we are lucky enough to see some wonderful shows; some entertaining, some mindblowing, some beautiful and even some life-changing. We've accumulated a list of our top-rated shows from 2021, what a year it's been! Take a look at our list and start thinking of your theatrical highlights and share them with us on Twitter! @PocketSizeBlog

A quick note, even though these are our top shows of the year, we applaud and would like to congratulate every single person involved in putting on ANY show this year. It's been another tough year for our industry and anyone who provides entertainment and live theatre is a hero. You're amazing! 



"Carrie-Anne Ingrouille’s choreography is slick and on and there are no words for how marvellous Gabriella Slade’s out of this world costumes are. The musical is aimed at a younger audience; with bright lights, confetti, glittery outfits and modern references- which makes you feel like you’re seeing a girl band live rather than sat in a history lesson. The best of both worlds! The Queens are sarcastic and feisty in their comic delivery, and SIX has that kind of self-awareness that holds onto the element of intimacy that I would imagine wowed the very first audiences at the Edinburgh Fringe 4 years ago."




"They have the perfect recipe to appeal to and entertain any member of the public. I think you would be hard-pressed to find someone who didn’t smile at least once throughout a Mischief Comedy production. If you are looking to escape the challenges of reality for a few hours, then rush to buy a ticket for this show. Treat yourself to an evening of truly joyous tomfoolery and talent; I can assure you; you won’t regret this magical treat!"

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Thursday 4 November 2021

REVIEW: Pride and Prejudice* (*sort of) at the Criterion Theatre


Settling into the gorgeous Criterion Theatre to see Pride and Prejudice* (*sort of) the first thing that strikes you is the stunning set, featuring a winding staircase that almost drips books at its core, which leaves you in no doubt that you have entered Austen territory. This is a show that is coming to the West End in style. 

From the moment the cast first comes onstage as the servants of the house their brilliant comic timing, and ability to build a relationship with the audience shines through. These are characters who aren’t afraid to speak up for themselves, often addressing the audience directly, as they retell the well-known story with sharp wit and boundless energy. 

As they come together into the first song, leaning into the style of a sixties girl group, it becomes clear that they can not only sing beautifully, they know how to have fun with familiar tropes. Throughout the show, their choice of well-known songs slip hilariously into the script and free the characters from the good old fashioned repressed Austen modes of communication. 
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