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Thursday, 27 June 2019

REVIEW: A Thousand Splendid Suns at the Nuffield Southampton Theatres


Khalid Hosseini 2007 novel earned widespread critical acclaim when published and was adapted for the stage by Ursula Rani Sarma in 2017. Unlike his first book The Kite Runner which had a West End run in 2017 and focused on male friendship and Father- Son relationships, this extraordinary story is focused on the relationship between two women in the highly oppressive regime of Afghanistan in the not too distant past. It is an incredibly moving and powerful story that is educational and shocking to the Western eye as it exposes the truths behind the headlines of the Taliban regime. It will make an immense film if it ever makes it to the screen, but in the meantime, you should go and see this production at The NST Southampton as it brings real understanding about a culture that it is hard to believe or understand.

It takes its title from a poem about Kabul which describes the beautiful idyllic city which is beloved by the characters but now worn torn and being destroyed by terrorists and bombings. The central character is Laila, played with an intelligent and understated calm by Sujaya Dasgupta who is orphaned of her more western family in the war and taken as a second wife by the more traditional and fervent Rasheed (Pal Aron). The harsh relationship between the two of them and his first wife Mariam, isolated after 18 years of marriage to him forms the basis of the story as war and totalitarian religious state engulfs their homeland. The indignities and oppression the two women suffer creates a strong bond between them that it hard not to be moved by.
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Monday, 3 June 2019

REVIEW: The Audience at the Nuffield Southampton Theatres


Peter Morgan's fascinating play which imagines the conversations between the Queen and her Prime Ministers in her weekly meetings was first staged in 2013 and revived in 2015 with the removal of James Callaghan and added audiences with Tony Blair and David Cameron. So it is very interesting to see the first regional production at the NST city theatre in the very month that her thirteenth Prime Minister resigned from office. 

Sam Hodges, the artistic director of the NST directs the play and makes some bold staging decisions with his designer Rosanna Vize to emphasise the nature of their relationships. The traverse stage ensures that we constantly sense the feeling the protagonists must have of always being under watchful scrutiny and the travelator means the Queen is faced in her private audience room with a conveyor belt of Ministers going back to her first in 1953, Winston Churchill. He also cast one actor, Paul Kemp, in all the male Prime Minsters to emphasise that they are almost interchangeable as each deals with the crisis of the day. They then dress the stage as if we are in a fluorescent lit museum. This fresh new staging while interesting is at times distracting from the excellent central performances.
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Sunday, 18 February 2018

REVIEW: The Shadow Factory at the Nuffield Southampton Theatres


The Shadow Factory is an ambitious new play to open a new venue and it is a great credit to the artistic director of the Nuffield Sam Hodges to take a little known local story and turn it into an glorious new play about life in Southampton at a critical time in the Second World War. It is little wonder that Howard Brenton should be excited about the research to take on the writing of the story and then 59 Productions inspired to create an innovative and fresh staging design that brings the story to life.

The story starts in September 1940 with the bombing of the Supermarine factory in Woolston where the critical Spitfires were being designed , developed and built and the loss of capacity threatens the essential aerial defences that the RAF provided . Urgent calls between the factory manager Len Gooch and Lord Beaverbrook at the Ministry of Aircraft Production in Whitehall are made to assess the damages and establish how to get back into production. Gradually the plan to create a dispersed shadow factory is developed spread over thirty five venues around the city which need to be requisitioned but meets local residents resistance to giving up their property.
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