The Mill at Sonning has been undergoing an overdue refurbishment and modernisation of its bar and restaurant of this dinner theatre venue which has been producing more adventurous shows including a recent excellent My Fair Lady. It is therefore a little odd that it should reopen with this incredibly dated farce from the seventies . It's characters and language are firmly rooted in that time before political correctness and changing attitudes altered for ever the acceptable bounds of comedy. Yet the original coauthor and director of this production, Ray Conney, now in his eighties, gets his cast to whole heartedly embrace the seventies language and style and transports us back to 1970. What is more the audience is lapping it up by the time the riotous confusion builds to its conclusion.
The set is the Markham's one bedroom 1st floor apartment which is being redecorated in garish seventies styles and colours by Alistair Spenlow and as required for farce features multiple doors to the bedroom, bathroom, bar, study, au pairs room and the stairs to the publishers offices below as well as a window to the road outside. After the slow first half sets up the different relationships and planned liaisons, the second half explodes into a manic frantic covering up of identities with at different times each door hiding a character. It is brilliantly timed farce that provides plenty of opportunities for startled surprise, lecherous grins and confused looks.
