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Sunday 11 March 2018

REVIEW: The Dog Beneath the Skin at the Jermyn Street Theatre


WH Auden is best known as a poet writing throughout the 1930's to 1960's with strong left wing views. Christopher Isherwood is best known as the writer of the book that became the hit musical Cabaret set against the background of Nazi Germany. Proud Haddock have unearthed a play they wrote together in 1935, The Dog beneath the skin and revived it at the tiny 70 seats Jermyn Street Theatre as part of their Scandal season describing it as a rediscovered classic. 

It tells the story of Alan Norman, selected by the village of Pressan Ambo, to search for the missing heir Sir Francis Crewe; the previous nine adventurers having never returned. His quest is different as he is accompanied by a whisky drinking dog called George, played by Cressida Bonas in what looks like a gas mask. An Ambo is a pulpit and the writers use the pretext to preach their thoughts on what was happening in Europe under the growing influence of Hitler and Mussolini.

It is a bizarre mad quest into Europe of the thirties presented as a series of weird musical hall sketches as they meet the King of Ostnia ,a South American gangster, prostitutes, the madmen of Westland, experimental scientists, art critics and showgirls. Each scene lampoons society leaders and takes societal norms to extreme caricatures.
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Sunday 21 January 2018

REVIEW: Woman Before a Glass at Jermyn Street Theatre



A few months ago, I found myself in Venice for a day on my way to another destination, and a stroll took me to the Peggy Guggenheim Museum, directly on the Grand Canal. What an exquisite place to live and keep a collection of art – “children”, as Peggy would call hers. 

If you are looking to escape the cold streets of London this month, head down to the Jermyn Street Theatre and be taken away to Venice. With humour, heartbreak and grand hauteur, “Woman before a glass” offers the unforgettable story of the woman who discovered, encouraged and subsidized many of the greatest Expressionist and Surrealist painters of the first half of the Twentieth century, and was responsible for smuggling her enormous collection out of Europe and out of the hands of the Nazis. 

As soon as you enter this charming little theatre space, you are transported, thanks to Erika Rodriguez’s set design, with vintage dresses and furniture, and Ali Hunter’s lighting design. The sunshine quality of the lighting blinds Peggy (played by Judy Rosenblatt) as she gives instructions to the photographers who are about to take her picture for an interview.
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