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Monday 21 March 2022

REVIEW: The Great Gatsby at Gatsby’s mansion at Immersive LDN



Once penned as a jazz age classic, a tale of lavish glamour with “gleaming, dazzling parties”, now Immersive Gatsby has taken every inch of storytelling from page to utter spectacle; a captivating theatrical experience you would be a fool to miss. If I could give a production 10 stars, this would be it! So rare is an immersive show where you truly feel part of the story and not just like a spectator looking into a fish tank. 

Based on F. Scott Fitzgerald’s roaring and vivid novel, Alexander Wright’s The Great Gatsby was executed with such commitment, heart and decadently yummy indulgence which every Gatsby themed party should command. As each group arrived to the Gatsby mansion, we were greeted by the devilishly charismatic Rosy Rosenthal played by Greg Fossard, who took us through the house rules. Once inside the main space, it’s a free for all, tables dotted around the room with velvet chairs so you can sit back and enjoy the ambience, relish in the jazz music, mood lighting and the most delicious cocktails from the bar. The characters seemed to integrate into the room and with the audience encouraged to dress for the occasion, it is done so subtly that the experience organically begins.
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Monday 26 October 2020

REVIEW: The Great Gatsby at Immersive LDN



There are a few names in the world of immersive theatre that should get you excited and Immersive Everywhere is definitely one for that exclusive list. Tucked away just off of Oxford Street awaits the world of love, well-pressed suits, and bootleg liqueur; it’s the Roaring Twenties and we are invited to a party.
 
Jay Gatsby’s mansion is the venue for our evening of entertainment. The central space lies in anticipation with a piano dimly lit pulling focus. Around this the audience are seated at a safe distance from each other with Mr Gatsby’s bar dominating one wall. After some welcome rule setting the party springs into life with a snappy Charleston dance number and we are introduced to Nick Carraway (James Lawrence); the man who will guide us through the evening. Lawrence handles his lengthy monologues with ease, setting the scene, giving exposition and being on hand to steady the ship. He holds our attention expertly and has a welcome air of empathy and honesty in this world full of fake niceties and bolshy pomposity. Whilst Jay Gatsby may be the name on the wall, it feels as though Craig Hamilton’s character is written as more of a facilitator and catalyst for Nick Carraway to flourish. Whilst Carraway flourishes through prose and Lawrence’s embodiment, some of the other characters and moments seem under-developed as if they haven’t had the airtime to rise to their full potential.
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