Yasmina Reza’s (translated by Christopher Hampton) unassuming but vicious satirical unmasking of the modern-day middle class, God Of Carnage, has stirred up attention since it first premiered in 2008. Boasting as a hit on Broadway and The West End, its anticipated revival has been met with great expectation. In this new version directed by Nicholas La Barrie, the question I was left asking, however, is why this play now?
God Of Carnage introduces us to two middle-class, pre-middle-aged couples who are brought together by the act of violence between their two eleven-year-old children Ferdinand and Bruno (whom we never meet). What begins as a ‘civil’ interaction and desire to de-escalate the incident between their boys, quickly unleashes a swirling passive-aggressive dance between the four parents fulled by entitlement, misguided values and unrealistic expectations.
