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Thursday, 19 July 2018

REVIEW: The Skating Rink at Garsington Opera



Garsington Opera fourth offering of the season was the World premiere of a new opera by David Sawer and Rory Mallarkey based on a Chilean novel by Roberto Bolano for just five performances. It is wonderful that they are able to risk investing in new modern opera to compliment there more traditional offering. It is bold bright production with the Skating rink (a special plastic rather than ice) covering the whole stage, a multicoloured backdrop and mobile unit that doubles up as all the office or home of the main characters. Sadly the Palace in which the skating rink itself is built is represented by a host of packing cases as if the budget did not extend to the usual high production values after the rink had been paid for! Nevertheless the setting allowed Director and designer Stewart Laing to flow the action slickly from camp site to the beach to town offices and to the palace itself.

The story is a murder mystery mixed with a love triangle in a Catalonian town, told from the point of view of three of the male characters. So we get Gaspar’s story (a night watchman and aspiring poet played by the tenor Sam Furness), Remo’s story (the campsite owner played by baritone Ben Edquist) and Enric’s story (a town official played by baritone Grant Doyle). It may have added to the story telling to have heard the story from at least one of the three central female characters Nuria (the ice skater at the centre of the love triangle, played by soprano Lauren Zolezzi) , Pilar (the politically ambitious mayor played by mezzo Soprano Louise Winter) and Carmen (the down and out former opera singer played by Susan Bickley ) because they are actually the most interesting characters. Susan Bickley has great fun and is a commanding presence despite dressing down as the bag lady that the Mayor wants removed from the town and her powerful performances in a town cafe and in Enric’s office are the most compelling of the show. I never fully understood why the Mayor did not ask the two cornetto eating, champagne swilling police to organise the eviction or investigate the murder!
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Wednesday, 27 June 2018

REVIEW: Falstaff at Garsington Opera


Garsington Opera has been in its new home on the Paul Getty estate since 2011 and it is a perfect setting for a summer opera experience. The purpose built theatre sits on top of a gently sloping meadow lined on one side by picnic tents and on the other by a lake. The deer graze on the other side of the lake during the opera season. 

The four opera season runs from the end of May to end of July each season and you need to book early to get a ticket. This year third up in the season is Giuseppe Verdi's Falstaff written in 1883 and based on the plot and characters of Shakespeare's The Merry Wives of Windsor. It is a joyous melodramatic romp.

Set in a Pollock style Victorian Toy theatre with a false proscenium arch, heavily raked stage and MDF cut out chandeliers, station signs, a train and trees. The designer, Giles Cadle and director Bruno Ravella have great fun with resetting the play in Victorian Windsor and the characterisations. The stage is backed by beautiful period style paintings of Windsor and the station. We have Eton boys, a Victorian explorer in pith helmet, Mistress Quickly dressed like Queen Victoria and Mr Ford looking like Gene Wilder in Charlie and the Chocolate Factory. Falstaff, the abused anti hero of the story, is dressed mostly as a kilted Scottish soldier, straight out of Carry on up the Khyber. When he needs another drink in the opening scene he stamps the floor and literally a stage-hand appears through the floor boards with another bottle. The visual and physical humour is sustained throughout with the final scene in Act 1 being a fast paced farce and the last in Act 2 a manic midnight May Day forest escapade.
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