The raise to stardom of a musical performer is the object of mockery in this side-splitting revue written and composed by Alexander S. Bermange, and directed by Paul Foster. Each song representing a career milestone, like a hopeless and nerve-wrecking audition or the downsides of becoming a diva.
Walking around the room and mingling with the audience, the stunning quartet formed by Suzie Mathers, Oliver Savile, Liam Tamne and Diana Vickers contribute with their outstanding performances to the magical atmosphere of The Crazy Coqs, whose 1920s splendour offers a perfect background to the show.
Hidden in the basement of Brasserie Zédel, just off Piccadilly Circus, this intimate cabaret is a true architectural gem, with all the character and elegance of a Belle Époque den. Patrons sit around small tables, which are covered with black clothes and decorated with red flickering lamps. All chairs are facing a narrow stage, where a grand piano stands out against a red velvet curtain. There is just about enough space for the singers to sit on high stools and step forward when is their turn to perform.
