INTERVIEW: Rob Houchen, currently starring in SOUTH PACIFIC on tour and at Sadler's Wells

Rob Houchen is a true modern-day Musical Theatre leading man, his CV is one to impress anyone out there with a huge range of work under his belt. He is currently playing the role of Lieutenant Cable in the UK tour of South Pacific after appearing in the production at the Chichester Festival Theatre, the show will also make a stop in the West End when it comes to Sadler's Wells from the 27th of July to the 28th of August. 

His theatre credits include South Pacific (Chichester Festival Theatre); Marry Me A Little (The Barn Theatre); City of Angels (Garrick Theatre); The Light in the Piazza (Royal Festival Hall), (Dorothy Chandler Pavilion, Los Angeles) & (Lyric Opera, Chicago); Les Miserables All-Star Concert(Gielgud Theatre); Eugenius! (The Other Palace); Broken Wings (Theatre Royal Haymarket); Les Miserables 30th Anniversary (Japan); Titanic (Charing Cross Theatre); Les Miserables (Queen’s Theatre); The 12 Tenors (World Wide Events); Godspell in Concert (The Lyric Theatre); Candide in Concert (Cadogan Hall) and Peter Pan (Harlow Playhouse).

Television/Film credits include: ‘Tony’ West Side Stories: The Making of a Classic (BBC) and Les Miserables The All-Star Concert (Universal).

South Pacific has just opened at the Manchester Opera House, but we managed to speak to Rob during the rehearsal process. 

REVIEW: Marry Me A Little, The Barn Theatre, Cirencester

A catalogue of songs largely cut from Sondheim shows; Marry Me A Little follows an estranged couple, now living in separate apartments, dreaming of a connection outside their four walls - something we can all relate to more than we’d like this year. The Barn was one of the first regional theatres to re-open and stage socially-distanced productions in their outdoor space over the Summer. Each of those shows received huge praise, and this is no exception.

It’s incredibly refreshing to see both performers in a different light. Celinde Schoenmaker (a seasoned Christine Daae), and Rob Houchen (a veteran Marius) are both given the opportunity to play with a broad range of different emotions throughout the sung-through piece. They make a formidable partnership and deliver exceptional performances.

We hear a wonderful, fuller voice from Schoenmaker in Can That Boy Foxtrot, beautifully contrasting her famous soprano, whilst Girls Of Summer is sultry and full of yearning. In the show’s title number, she teases big, belted notes and then quickly switches to a soprano sound. Finally, in There Won’t Be Trumpets she opens fire, and it is absolutely worth the wait. Thrilling!