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Monday, 20 April 2020

The Corona Diaries: Adrian Hansel



These recent times have been some of the hardest challenges we've faced and as a community, it hit us pretty hard. However during these difficult times, here at Pocket Size Theatre, we wanted to spread a little positivity and share some peoples experiences because we are all in this together. Each day we'll be speaking to our friends in the industry to share their experiences with you all so take a read and see how people are getting through these hard times.

Let's stick together, share the love and get through this as a community!

*Some information mentioned in this article may be out of date due to the progress of the current situation. Please keep that in mind when reading* 

Adrian Hansel was most recently seen in Guys and Dolls at the Sheffield Crucible, playing Benny Southstreet. His other credits include Ain't Misbehaving (Southwark Playhouse); The Distance You Have Come (The Cockpit); 5 Guys Names Moe (Marble Arch Theatre); Seaweed in Hairspray (UK Tour & Shaftsbury Theatre); Dancing in the Streets (Playhouse Theatre & UK Tour); Oh What a Night (Australia Tour); All You Need is Love (Queen's Theatre); Tyronne in Fame (Prince of Wales Theatre & UK Tour) and Rusty in Starlight Express (Apollo Victoria Theatre). 

On Monday 16th March 2020, The Society of London Theatre announced the closure of all Theatres in London. This followed suit with regional venues. Where were you when you found out and what was your initial reaction? 

Well I was actually about to watch Book of Mormon as I’ve never seen it! Then just after 7pm on the night, we got told the show will not be happening and all West End theatres will go dark with immediate effect. It was so bizarre; I was shocked slightly worried and also confused. Half the theatre was full of people who had drinks at the theatre bar but we all had just leave. 

Can you tell us anything productive you’ve been doing? 

I think times like this is highly important to think, reflect how lucky we are! I’ve loved watching friends and peers being productive and sharing classes it’s been beautiful to see.
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Monday, 30 December 2019

10 Year Challenge: Some of our Favourite West End Performers!


There's a craze going around at the moment called 'The 10 Year challenge' and as we're welcoming in the new decade, we looked back at some of our favourite performers and did it for them! Check our the list of amazing actors below and the journey they've gone on from 2010 to 2020 and tweet us your favourite 10 year challenge or send us ones we've left off!

Lucie Jones




As Cosette in the London production of Les Miserables and as Jenna in Waitress at the Adelphi Theatre. Other credits include Emily in A Christmas Carol (Lyceum); Lou in Girlfriends (LMTO); Elle Woods in Legally Blonde (UK tour); Maureen Johnson in RENT the Musical (The Other Palace and UK tour); Holly in The Wedding Singer (UK tour); Elle Woods in Legally Blonde (Leicester Curve/South Korea – DIMF Best Actress in a Musical Award); Molly Jensen in Ghost: The Musical (Asian tour); Victoria in American Psycho the Musical (Almeida) and Meatloaf in We Will Rock You (world arena tour).



Melanie La Barrie 


As Mrs Phelps in the original cast of Matilda and as the Nurse in the original London cast of & Juliet at the Shaftesbury Theatre. Other credits include Madame Morrible in Wicked (Apollo Victoria); Mrs Phelps in Matilda (RSC Stratford and Cambridge); The Lorax (Old Vic); Martha Watson in White Christmas (West Yorkshire Playhouse); General Cartwright in Guys & Dolls (Chichester Festival Theatre); Ma Rainey in Ma Rainey’s Black Bottom (Liverpool Playhouse); Madame Thernardier in Les Miserables (Queens); Pearl in Daddy Cool (Shaftesbury) and Mrs Corry in Mary Poppins (Prince Edward).
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Friday, 19 October 2018

REVIEW: The Distance You Have Come at the Cockpit Theatre


The Distance You Have come is a song cycle that weaves some of the famous Scott Alan songs into a story line that centres around 6 characters. We all know and love Alans music from his countless cabarets over the years featuring the crème de la crème of the West End and for this production he has pulled together yet again a stunning cast. 

The story line consists of three couples who cross paths; we have two gay couples, one we see blossom and one see we destroyed, and a straight couple in which one of them has moved on and one of them is experiencing major depression. The storyline was too complicated for such a short piece and the lack of book meant we missed a lot of information so had to fill in the blanks ourselves. It was a bit of a mess and to be honest, not interesting in the slightest. 

The cast seemed to be more in the know of the storyline then we were, and this is not a good thing. The audience like to be one step ahead of the characters, not playing catch up because we’ve missed vital information.
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