REVIEW: Then, Now, Next at the Southwark Playhouse

New musicals with new songs are an increasingly rare sight in a genre dominated by revivals and greatest hits packages. But just occasionally a new musical has the potential to cut through the fringe and strike out on the West End stage. ‘Then, Now and Next’ could follow the same trajectory as 'Six' with the right promotion and some delicate tweaks. The Southwark Playhouse steals the honours yet again with the World Premiere of this new piece by Christopher J Orton and Jon Robyns.

The story pivots on the life and loves of Alex Shaw (Alice Fearn) and the two partners who came to dominate her life; Peter Connors (Peter Hannah) and Stephen Hayes (Joaquin Pedro Valdes). The story flashes back and forward as a satisfying plot gradually unfolds. Two key phases alternate as snapshots of Alex aged 30 and 40 illustrate a complex emotional landscape. In the present, Alex is ensconced in a seemingly happy relationship with the goofy but lovable Peter. They have a young son and Peter is itching to slip a ring on Alex's finger. He is the definition of solid and dependable. But Alex is still haunted by the memory of Stephen who may be her greatest love. She is conflicted by a man who makes her comfortable and the memory of a lover who genuinely excited her. The narrative explores the tantalising ‘ifs’ and ‘maybes’ in life. However hard we try fate always takes a hand in our destiny, but should we let the past stop us from looking forward?

It’s refreshing to see a strong narrative that doesn’t rely on the songs to cover the cracks that plague so many productions. The songs are bright and well-observed. They drive the plot along at a steady pace and have a real ‘grow on you’ feel. The best of the songs (at least on first listen) is ‘You’re where I want to be’, which appears towards the end as the show reaches its climax. The cast is excellent throughout the piece; the three leading actors play off each other perfectly as Peter and Stephen represent different periods in Alex’s life. Tori Allen-Martin and Justin Brett also lend sterling support in a number of different roles. Whilst it’s early days, it doesn’t appear that far off a West End transfer. It probably needs two more songs and supporting characters need to be fleshed out. One minor niggle is the title which initially doesn’t appear user friendly. But that doesn’t detract from what is a promising new British musical.

Review by Brian Penn

Rating: ★★★★

Seat: The Large C6 | Price of Ticket: £32.50/£26 concessions