At one point or another during the current pandemic, I am confident that each and every one of us have felt somewhat lost, or perhaps even left “In Pieces”, which just so happens to be the title of Future Spotlight Productions newly produced musical film, in collaboration with original writer Joey Contreras.
Originally debuted at the Lincoln Center in New York City, “In Pieces” is now having its worldwide debut being released as a film in support of LGBT Foundation. “In Pieces” follows a series of diverse characters, delving into their personal relationships and stories, exploring how clarity and empowerment manifest themselves within them.
Available from Friday 23rd April 2021 for a limited time, “In Pieces” provides us with the unique opportunity to enjoy a brand-new slice of musical theatre from the comfort and safety of our living room, all while supporting a fantastic cause and new material.
From the opening shot, it’s clear that this musical will be packed with a collection of contemporary pop-esque tracks and tales for a modern-day audience. With choreography by Rachel Sargent and musical direction by Edward Court, it’s evident that both the cast and creative team were passionate about bringing Contreras’ work to life with undeniable energy, precision and spirit.
Prior to watching “In Pieces”, I was unfamiliar with the work of Contreras, but it quickly becomes obvious why he was listed as one of Playbill’s “Contemporary Musical Theatre Songwriters You Should Know”. The soundtrack contains a mix of genres within its tracks, however contains predominantly ballad style songs that could rival the likes of Dear Evan Hansen. As this piece is a song-cycle with no script, at times I could feel my focus slip if ballads or slower, perhaps more emotional, or emotive tracks were put back-to-back. Nevertheless, each song was portrayed with ease and excellent technique and acting from each leading cast member.
Overall, the cast deliver an extremely strong performance, with each individual performer showcasing their strengths and talents brilliantly. Credit, in particular, must be given to Jordan Luke Gage, Ross Harmon, Luke Street, Amy Di Bartolomeo and Hiba Elchikhe for standout vocals and truly authentic and diverse performances.
The film is shot at popular tourist attraction Kidzania, and for the most part, works effectively, in particular with the current pandemic restrictions and health and safety guidelines. However, as the piece is supposed to be set in the USA, at times the illusion of the piece was broken due to the evident branding and signs from the Kidzania franchise. As a viewer, I would have felt more immersed within each moment if perhaps the signs had been covered or adapted to match the setting for the musical. This also applied to the skyline, which naturally being an indoor venue, was flat, again, breaking the illusion of a vast, blue American sky.
Throughout the piece, the actors break the fourth wall by often delivering their performance directly into the camera. Instantly this directional choice draws the audience in, and allows you to immerse yourself within the world of these characters. A fly on the wall viewing each individual’s story through a unique lens. That being said, at times the videography choices did become distracting and felt a little jolty, abrupt, and excessive. I feel some scenes and moments would have been more effective if the camera remained static as, at times, it felt as though the creative recording choices took away from the performance.
If you are looking for a stagey treat this weekend, or perhaps are craving some fresh musical theatre writing, then “In Pieces” is certainly for you! As a debut film, Future Spotlight Productions have created a stellar piece, and I have no doubt that they will continue to flourish within their future productions and projects.
Support the arts, support new writing, and support “In Pieces”!
Review by Adam Tipping
Rating: ★★★
Seat: Online | Price of Ticket: £15