How much of the original Tommy Steele film and stage adaptation inspired your portrayal of Kipps?
I’m afraid nothing at all – I have still not seen it to this day. I didn’t want it to interrupt with creating the role.
How do you feel your training at Laine aided your ascension to a leading man of the West End?
It gave me the foundation on which to build my career – their solid values of respect, patience and determination have formed the way I approach my work.
How long did it take you to master the banjo?
You’re quickly gaining a reputation as a “proper gentleman” (I-thank-you) of the British theatre industry. What are your top tips for staying humble in this crazy business we all love so much?
Stay happy – and don’t take yourself to seriously!
In a show as physically demanding as Half A Sixpence, how does one go about keeping themselves energised and show-ready night after night?
I eat 5 meals a day and sleep A LOT!
How grateful are you when the interval arrives? You must be exhausted even by the half-way point!
Very! Everyone looks after me so I’m ready and raring to go for Act 2.
There are some incredible set pieces in this show and a wonderfully utilised revolve. Have you had any mishaps?
Well, I had a brilliant show – where I managed to drive the motorbike into the set – that was pretty spectacular…
If you had “money to burn”, what’s the first thing you’d do?
Why – I’d buy me a banjo of course!
Callum Train (Pierce) – he’s my best friend in every way. Also Bookie and Ron, my dressers – they are both hilarious and keep me entertained all the time.
If you could cover one other role in the show for one-night-only, which will you choose and why?
Sid – it was the original part I was being considered as the understudy for. It really appealed to me when going through the audition process.
When people leave the Noel Coward after a show, how do you want them to feel?
Entertained, happy – and not able to stop smiling!